Desert Songs: Western Images of Morocco and Moroccan Images of the WestIn an unusual approach to cultural studies, John Maier examines a wide variety of modern Western and Eastern texts. He brings together very different forms of cultural production: modern and postmodern fiction and folktales, advertising copy and oral histories, travel literature, and ethnographic studies. Many academic disciplines are also juxtaposed--literature and literary theory, linguistics, history, psychoanalysis, sociology, film studies, women's studies, and anthropology--largely because they have themselves been transformed by the cultural questions raised here. |
From inside the book
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Page 4
... Dido . A more recent example , from a different cultural register , is the 1930 Paramount film Morocco , directed by Josef Von Sternberg . Morocco starred Marlene Dietrich as singer Amy Jolly , Adolphe Menjou as Monsieur La Bessiere , a ...
... Dido . A more recent example , from a different cultural register , is the 1930 Paramount film Morocco , directed by Josef Von Sternberg . Morocco starred Marlene Dietrich as singer Amy Jolly , Adolphe Menjou as Monsieur La Bessiere , a ...
Page 14
... Dido . The historical Dido may have committed suicide to avoid falling under the control of larbus , the Berber ruler of the land that had included the new city of Carthage . However , Virgil tells rather a different story . In what ...
... Dido . The historical Dido may have committed suicide to avoid falling under the control of larbus , the Berber ruler of the land that had included the new city of Carthage . However , Virgil tells rather a different story . In what ...
Page 31
... Dido could have known . One conclusion is certain to emerge in this collection of readings . The pretense that the reader of an exotic literature is selfless , valueless , a presuppositionless observer of the literary scene has to be ...
... Dido could have known . One conclusion is certain to emerge in this collection of readings . The pretense that the reader of an exotic literature is selfless , valueless , a presuppositionless observer of the literary scene has to be ...
Page 35
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Page 36
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Contents
Asia under the Sign of Woman The Feminization of the Orient in The Aeneid | 35 |
Silence and Ecstasy Watching the Sufis Dance | 63 |
Two Fathers General | 89 |
Jane Bowles and the SemiOriental Woman | 119 |
Penetrating the Ramparts Morocco in the Fiction of Paul Bowles | 143 |
Elizabeth Ferneas Moroccan Pilgrimage | 161 |
Insider Views Five Moroccan Writers | 177 |
Two Moroccan Storytellers in Paul Bowless Five Eyes Larbi Layachi and Ahmed Yacoubi | 211 |
Tented Visions Woman as Heroas Victim | 229 |
In the Service of Aisha Qandisha | 251 |
Conclusion | 267 |
Notes | 289 |
319 | |
339 | |
Other editions - View all
Desert Songs: Western Images of Morocco and Moroccan Images of the West John Maier Limited preview - 1996 |
Common terms and phrases
Aeneas Aeneid Ahmed Yacoubi Aisha Aisha Qandisha Allah American ancient anthropologist Arab-Muslim world baraka become chapter character Chukri civilization Cleopatra Collected Stories Crapanzano cultural dancing Desert Song Dido Eastern ecstasy Edith Wharton English Enkidu Everything Is Nice example eyes fascination father Fatima Mernissi Fernea fiction film French Geertz Habiba Hamadsha hero husband important Iron Islam Jane Bowles Jane Bowles's Jeanie language Larbi Larbi Layachi literary literature live Lyautey magic male Margot Marrakech mirror mirror stage Modern Standard Arabic Mohammed Moroccan Arabic Moroccan storytellers Moroccan women Morocco mother Muslim narrative nonliterate North Africa novel oral Oriental Orientalist Paul Bowles Paul Bowles's pilgrimage postmodern Rabinow reader realism Red Shadow ritual saints scene sense short stories Sidi society speak Sufi symbol Tangier tells texts tion tradition translated Trojans Tuhami turn versions village Virgil West Western woman writing Wudei'a Zahrah Zodelia
Popular passages
Page 6 - Woman then stands in patriarchal culture as signifier for the male other, bound by a symbolic order in which man can live out his phantasies and obsessions through linguistic command by imposing them on the silent image of woman still tied to her place as bearer of meaning, not maker of meaning.