Desert Songs: Western Images of Morocco and Moroccan Images of the WestIn an unusual approach to cultural studies, John Maier examines a wide variety of modern Western and Eastern texts. He brings together very different forms of cultural production: modern and postmodern fiction and folktales, advertising copy and oral histories, travel literature, and ethnographic studies. Many academic disciplines are also juxtaposed--literature and literary theory, linguistics, history, psychoanalysis, sociology, film studies, women's studies, and anthropology--largely because they have themselves been transformed by the cultural questions raised here. |
From inside the book
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Page v
... Bowles 143 Chapter Six Elizabeth Fernea's Moroccan Pilgrimage 161 Chapter Seven Insider Views : Five Moroccan Writers 177 Chapter Eight Two Moroccan Storytellers in Paul Bowles's Five Eyes : Larbi Layachi and Ahmed Yacoubi 211 Chapter ...
... Bowles 143 Chapter Six Elizabeth Fernea's Moroccan Pilgrimage 161 Chapter Seven Insider Views : Five Moroccan Writers 177 Chapter Eight Two Moroccan Storytellers in Paul Bowles's Five Eyes : Larbi Layachi and Ahmed Yacoubi 211 Chapter ...
Page xv
... Bowles's fictional wanderers , often impossibly obtuse , negoti- ate by the roadsigns constructed by the natives . The quest for the other is as often as not a quest for the self ; in these studies , though , both self and other are ...
... Bowles's fictional wanderers , often impossibly obtuse , negoti- ate by the roadsigns constructed by the natives . The quest for the other is as often as not a quest for the self ; in these studies , though , both self and other are ...
Page xix
... Bowles's Five Eyes : Larbi Layachi and Ahmed Yacoubi , " reprinted from < Postmodern Culture > , An Electronic Journal of Interdisciplinary Criticism 1 ( 1991 ) : MAIER 591. By per- mission of John Unsworth . Still photographs from The ...
... Bowles's Five Eyes : Larbi Layachi and Ahmed Yacoubi , " reprinted from < Postmodern Culture > , An Electronic Journal of Interdisciplinary Criticism 1 ( 1991 ) : MAIER 591. By per- mission of John Unsworth . Still photographs from The ...
Page 3
... Bowles . Consider Jane Bowles's first response to Morocco . In a letter writ- ten in July 1948 , while Jane was staying in Tangier at the Hotel Villa de France , she describes to Paul her delight at what she has seen and whom she has ...
... Bowles . Consider Jane Bowles's first response to Morocco . In a letter writ- ten in July 1948 , while Jane was staying in Tangier at the Hotel Villa de France , she describes to Paul her delight at what she has seen and whom she has ...
Page 24
... immediate terror of the Third Reich but more generally an almost existential dread . Paul Bowles's terrifying short stories , " A Distant Episode " ( 1945 ) and " The Delicate Prey " ( 1948 ) , upon which his reputation as a 24 ...
... immediate terror of the Third Reich but more generally an almost existential dread . Paul Bowles's terrifying short stories , " A Distant Episode " ( 1945 ) and " The Delicate Prey " ( 1948 ) , upon which his reputation as a 24 ...
Contents
Asia under the Sign of Woman The Feminization of the Orient in The Aeneid | 35 |
Silence and Ecstasy Watching the Sufis Dance | 63 |
Two Fathers General | 89 |
Jane Bowles and the SemiOriental Woman | 119 |
Penetrating the Ramparts Morocco in the Fiction of Paul Bowles | 143 |
Elizabeth Ferneas Moroccan Pilgrimage | 161 |
Insider Views Five Moroccan Writers | 177 |
Two Moroccan Storytellers in Paul Bowless Five Eyes Larbi Layachi and Ahmed Yacoubi | 211 |
Tented Visions Woman as Heroas Victim | 229 |
In the Service of Aisha Qandisha | 251 |
Conclusion | 267 |
Notes | 289 |
319 | |
339 | |
Other editions - View all
Desert Songs: Western Images of Morocco and Moroccan Images of the West John Maier Limited preview - 1996 |
Common terms and phrases
Aeneas Aeneid Ahmed Yacoubi Aisha Aisha Qandisha Allah American ancient anthropologist Arab-Muslim world baraka become chapter character Chukri civilization Cleopatra Collected Stories Crapanzano cultural dancing Desert Song Dido Eastern ecstasy Edith Wharton English Enkidu Everything Is Nice example eyes fascination father Fatima Mernissi Fernea fiction film French Geertz Habiba Hamadsha hero husband important Iron Islam Jane Bowles Jane Bowles's Jeanie language Larbi Larbi Layachi literary literature live Lyautey magic male Margot Marrakech mirror mirror stage Modern Standard Arabic Mohammed Moroccan Arabic Moroccan storytellers Moroccan women Morocco mother Muslim narrative nonliterate North Africa novel oral Oriental Orientalist Paul Bowles Paul Bowles's pilgrimage postmodern Rabinow reader realism Red Shadow ritual saints scene sense short stories Sidi society speak Sufi symbol Tangier tells texts tion tradition translated Trojans Tuhami turn versions village Virgil West Western woman writing Wudei'a Zahrah Zodelia
Popular passages
Page 6 - Woman then stands in patriarchal culture as signifier for the male other, bound by a symbolic order in which man can live out his phantasies and obsessions through linguistic command by imposing them on the silent image of woman still tied to her place as bearer of meaning, not maker of meaning.