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Besides these Chapels, there are Hastings, Aldworth, and Beaufort Chapels, which received their names from the persons interred within their walls. The last mentioned is perhaps the most worthy of observation. A spacious tomb, enclosed within a screen of strong brasswork, gilt, supports the figures of Charles, Earl of Worcester, and Elizabeth his wife, of the time of King Henry the Seventh, both splendidly apparelled.

overwhelmed with sorrow. The subject represented above this affords a striking contrast to the scene of death and mourning. The spirit of the departed Princess is represented ascending from a tomb and supported by two angels, one of whom bears her child towards heaven.

-All, all of worth, That warmed the tenants of yon silent bier, Hath thither fied: her soul of heavenly

birth,

And his who sought at once a brighter sphere, And left this world unseen, nor sinned, nor sorrowed here.

We now proceed to mention the parts below the building.

In the royal vault in the choir, near the altar, are the remains of King Henry the Eighth and his Queen, Lady Jane Seymour, King Charles the First, and an infant nch child of Queen Anne, when Princess of Denmark. A doubt having ex isted respecting the real place of King Charles's interment, a search was made in this spot, by the Prince Regent, in 1813. An interesting narrative of the investigation was published by Sir H. Halford, Bart, one of the eye-witnesses. The body of Charles the First was discovered in a coffin bearing his name. The head, which was separated from the body, bore a strong resemblance to the pictures of the unfortunate king. The skeleton of Henry the Eighth was also found, but the remains of Lady Jane were not disturbed.

Opposite to Beaufort Chapel, and at the west end of the north aisle, is a monument which, above all others in the place, claims the attention of every visitor to St. George's Chapel, and indeed may be considered, in reference to the event it records, one of the most affecting memorials that this country can produce. The cenotaph of the lamented Princess Charlotte occupies the space formerly called Urswick Chapel. It was designed and executed by Sir Jeffery Wyatville, and is a national tribute to the memory of one, who before she descended to an early grave, had given bright hopes of the future, and by her moral worth had cemented the affections of the whole people. Many of those who now view this inonument doubtless retain much of the impression occasioned at the time by the awfully sudden dispensation of her death; for the grief was as universal as it was deep. But there is something unusually solemn and touching in the tale told by the storied marble, even to those who are not usually influenced by such recollections. The body of the departed Princess is represented in white marble, lying on a bier, at the moment when the immortal spirit had quitted its earthly tenement; it is covered with drapery, from beneath which a part of the right hand only is seen. At each corner an attendant female appears

The more modern royal vault, in which some of the illustrious members of the present reigning family have been buried, is under an an cient stone building, formerly called WOLSEY'S TOMB-HOUSE, at the east end of St. George's Chapel, and was constructed by King George the Third. The entrance to the ce metery is in the choir of St. George's Chapel, near the altar, from which an under-ground passage leads to this silent sepulchre of the great. In it have been deposited the re

mains of the Princess Amelia, the Princess Charlotte, Queen Charlotte, the Duke of Kent, King George the Third, the Duke of York, King George the Fourth, and King William the Fourth. The bodies also of two young princes, Alfred and Octavius, sons of George the Third, were removed to this vault from Westminster Abbey.

IMPRESSIONS OF ENGLAND,

BY AN AMERICAN.

proprietors fill the mind with images of ease and luxury, the mouldering ruins that remain of former ages, of the castles and churches of their feudal ancestors, increase the interest of the picture by contrast, and associate with it poetical and affecting recollections of other times and manners. Every village seems to be the chosen residence of Industry, and her handmaids, Neatrious parts of the island, her operaness and Comfort; and, in the vations present themselves under the most amusing and agreeable variety of forms. Sometimes her votaries are mounting to the skies in manufactories of innumerable stories in height, and sometimes diving in mines into the bowels of the earth, or dragging up drowned treasures from the bottom of the sea. At one time the ornamented grounds of a

the fabled Elysium; and again, as you pass in the evening through some village engaged in the iron manufacture, where a thousand forges are feeding at once their darkred fires, and clouding the air with their volumes of smoke, you might think yourself, for a moment, a little too near some drearier residence.

No country in Europe, at the present day, probably none that ever flourished at any preceding period of ancient or of modern times, ever exhibited so strongly the outward marks of general industry, wealth, and prosperity. The misery that exists, whatever it may be, retires from public view; and the traveller sees no traces of it, except in the beg-wealthy proprietor seem to realize gars, which are not more numerous than they are on the continent,-in the courts of justice, and in the newspapers. On the contrary, the impressions he receives from the objects that meet his view are almost uniformly agreeable. He is pleased with the great attention paid to his personal accommodation as a traveller; with the excellent roads, and the conveniences of the public carriages and inns. The country everywhere exhibits the appearance of high cultivation, or else of wild and picturesque beauty; and even the unimproved lands are disposed with taste and skill, so as to embellish the landscape very highly, if they do not contribute, as they might, to the substantial comfort of the people. From every eminence extensive parks and grounds, spreadfar and wide over hill and dale, interspersed with dark woods, and variegated with bright waters, unroll themselves before the eye, like enchanted gardens. And while the elegant constructions of the modern

The aspect of the cities is as various as that of the country. Oxford, in the silent, solemn grandeur of its numerous collegiate palaces, with their massy stone walls, and vast interior quadrangles, seems like the deserted capital of some departed race of giants. At Liverpool, on the contrary, all is bustle, brick, and business. Everything breathes of modern times, every body is occupied with the concerns of the present moment, excepting one elegant scholar, who unites a singular resemblance to the Roman face and the dignified person of our Washington, with the magnificent spirit and intellectual accomplishments of his own Italian hero.

At every change in the landscape | Most of their castles, have, however,

you fall upon monuments of some new race of men, among the number that have in their turn inhabited these islands. The mysterious monument of Stonehenge, standing remote and alone upon a bare and boundless heath, as much unconnected with the events of past ages as it is with the uses of the present, carries you back, beyond all historical records, into the obscurity of a wholly unknown period. Perhaps the Druids raised it; but by what machinery could these half-barbarians have wrought and moved such immense masses of rock? By what fatality is it, that, in every part of the globe, the most durable impressions that have been made upon its surface were the work of races now entirely extinct? Who were the builders of the Pyramids, and the massy monuments of Egypt and India? Who constructed the Cyclopean walls of Italy and Greece, or elevated the innumerable and inexplicable mounds, which are seen in every part of Europe. Asia, and America; or the ancient forts upon the Ohio, or whose ruins the third growth of trees is now more than four hundred years old? All these constructions have existed through the whole period within the memory of man, and will continue, when all the architecture of the present generation, with its high civilization and improved machinery, shall have crumbled into dust. Stonehenge will probably remain unchanged, when the banks of the Thames shall be as bare as Salisbury Heath. But the Romans had something of the spirit of these primitive builders, and they left everywhere distinct traces of their passage. Half the castles in Great Britain were founded, according to tradition, by Julius Cæsar; and abundant vestiges remain, throughout the island, of their

and forts, and military roads.

been built upon, and augmented at a later period, and belong, with more propriety, to the brilliant pe= riod of Gothic architecture. Thus the keep of Warwick dates from the time of Cæsar, while the castle itself, with its lofty battlements, extensive walls, and large enclosures, bears witness to the age when every Norman chief was a military despot within his own barony.

To this period appertains the principal part of the magnificent Gothic monuments, castles, cathedrals, abbeys, priories, and churches, in various stages of preservation and of ruin; some, like Warwick and Alnwick Castles, like Salisbury Cathedral and Westminster Abbey, in all their original perfection; others, like Kenilworth and Canter bury, little more than a rude mass of earth and rubbish; and others, again, in the intermediate stages of decay, borrowing a sort of charm from their very ruin, and putting on their dark green robes of ivy to conceal the ravages of time, as if the luxuriant bounty of nature were purposely throwing a veil over the frailty and feebleness of art.

BOLTON PRIORY.

THE picturesque remains of this once magnificent monastic estab lishment are situated in Yorkshire, on the banks of the river Wharfe, about six miles from Skipton. The melancholy event that led to the foundation of the monastery is related by Dr. Whittaker, in his He tory of the Deanery of Craven, and is likewise the subject of a short but beautiful poem by Wordsworth

A priory was founded at Enbassy, about two miles from Bolton, by William de Meschines and C cilia his wife, in the year 1121, för" canons regular of the order of St

A

1

Augustine.

At their death they eft a daughter, who adopted her nother's name, Romille, and was narried to William Fitz Duncan, ephew of David, king of Scotand; they had two sons; the eldest lying young, the youngest, called, rom the place of his birth, the Boy f Egremond, became the last hope f his widowed mother. In the leep solitude of the woods between Bolton and Barden, four miles up he river, the Wharfe suddenly ontracts itself to a rocky channel, ittle more than four feet wide, and ours through the tremendous fisure with a rapidity proportioned to ts confinement. The place was hen, as it is now, called the Strid, rom a feat often exercised by persons of more agility than prudence, who stride from brink to brink, regardless of the destruction that awaits a faltering step. Such was the fate of young Romille, the Boy of Egremond, who inconsiderately bounding over the chasm with a greyhound in his leash, the animal hung back, and drew his unfortunate master into the foaming When this melancholy event was communicated to his mother, she was overwhelmed with grief, which only yielded to her devotional feeling :—

torrent.

And the lady prayed in heaviness
That looked not for relief:
But slowly did her succour come,

And a patience to her grief. To perpetuate the memory of this event she determined to remove the priory from Embassy to the nearest convenient spot, and erected a magnificent priory at Bolton. This priory was dissolved on the 11th of June, 1540. Part of the nave of Bolton Priory is now used as the parish-church; the transept and choir are in ruins; the tower and fine perpendicular window are of later date than any other part of the building, and may be said to be

the expiring effort of this species of architecture previous to the Reformation. It was in the course of erection at the dissolution of the priory, the last prior having intended to erect a splendid western entrance surmounted by a tower, and had proceeded to the height of the ancient buildings, when the Reformation divested him of his of fice.

The remains of the church of the priory, being surrounded by bold and majestic high grounds, are, scarcely seen until the traveller arrives at the spot. They stand on a beautiful bend of the Wharfe, on a level sufficiently elevated to protect it from inundation, and low enough for every purpose of picturesque effect. Opposite to the east window of the priory-church the river washes the foot of a rock nearly perpendicular, from the top of which flows a stream forming a beautiful waterfall. To the south the landscape is equally magnificent: this portion of the vale of Skipton is allowed to be one of the most picturesque spots in the kingdom.

The poem of the White Doe of Rylstone, by Wordsworth, is founded on a local tradition, that for some time after the Reformation a white doe continued to make a weekly pilgrimage from Rylstone, over the fells of Bolton, and was constantly found in the priory church-yard during divine service; after the close of which she returned home as regularly as the congregation.

THE DEVIL'S BRIDGE

PONT Y MONACH (the MONK'S BRIDGE), or, as it is vulgarly called, the Devil's Bridge, is situated in Cardiganshire, in South Wales. It is a single arch, of he tween twenty and thirty feet span,

thrown over another arch, which | Bridge, is perfectly enchanting. Imcrosses a tremendous chasm.

According to tradition, the lower arch was constructed by the monks of the neighbouring abbey, called Strata Florida Abbey, about the year 1087; but this is not correct, as the abbey itself was not founded till 1164. The country people, in superstitious days, deeming it a work of supernatural ability, gave it the strange name by which it is now generally known. Giraldus mentions having passed over it in 1188, when travelling through Wales with Baldwin, Archbishop of Canterbury, to preach in favour of the Crusades.

The upper arch was built over the other at the expense of the county, in 1753, and the iron balustrades were added by Mr. Johnes in 1814. The lower arch may be distinctly viewed by looking over the upper bridge; but the whole scene is so enveloped in wood, that the depth is not perceived; and many an incurious traveller has passed the Devil's Bridge without distinguishing its circumstances from an ordinary road. The cleft over which these two bridges extend has evidently been enlarged, and was perhaps originally produced by the incessant attack of the impetuous river Mynach on the solid wall of rock.

In order to view the scenery of this romantic spot, the visiter should first cross the bridge, and then descend by the right of it to the bottom of the aperture, through which the Mynach drives its furious passage, having descended from the mountains about five miles to the north-east. The effect of the double arch is picturesque, and the narrowness of the cleft, darkened by its artificial roof, increases the solemn gloom of the abyss.

The view from the windows of the Hafod Arms, near the Devil's

mediately below, and only separated from the house by the road, is a profound chasın, stretching east and west about a mile, the almost perpendicular sides of which are covered with trees of different kinds. At the bottom of this abyss rans the river Mynach, its roaring tide hidden from the eye by the deep shade of surrounding woods, but bursting upon the ear in the awful sound of many waters-in the thunder of numerous cataracts; whilst, in front of the spectator, the Rheidol is seen rushing down a chasm in the mountains with tremendous fury.

The woods in the vicinity of the Devil's Bridge abound with nests of the Formica Herculanea, the largest species of ants that are natives of Britain: these nests are composed of small ends of twigs, forming a heap a yard or two across, and from one to two feet high. The insects themselves exceed in size three of the ordinary black kind, and are possessed of uncommon strength.

In the superstitious times before alluded to, it was common for great works of art, or peculiar formations of nature, to be called by the name of the Devil. Thus the famous bridge over the Reuss, in Switzerland, is also called the Devil's Bridge; and in our own country we have the Devil's Punch-Bowl, in Hampshire, and the Devil's Dyke, near Brighton. In Germany is the Devil's Wall, erected by the Romans, the building of which commenced in the time of the Emperor Adrian, and occupied nearly two centuries. It extends for 368 miles, over mountains, through valleys, and over rivers; in some places it now forms elevated roads and paths through woods: buildings are erected upon it, and tall oaks flourish upon its remains.

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