no interest except to the professed genealogist. In one singular poem, half in joke we imagine, the writer washes himself free from the stain of bastardy by the detailed enumeration of all the noble races whose blood had mingled in the rich veins of his ancestry : "Men make boast of noble blood: Than count the wealth of Croesus. But richer made in me from founts In Earla I was born and bred, I tell you true the story, A very noble place it is 'Twixt Aros and Tobermory. I dwell with good Clan Gillean, And Colonsay doth make her boast The mighty masterful MacSween, The stoutest chiefs e'er tramped on green, In my proud line; and linked with them, And Stewart's seed, though sown on earth More wide than any other, The tale is true that one of them Was my grandsire's grandmother; In Breadalbane and Balquhidder. I really see no end in view When once that I begin, sir; And from the good MacIvor And now my race and lineage rare When you have bravely mastered, You'll find the best of all your bloods So much for the professional Celtic bards of the middle ages; ages full of rich gleaming veins of stout humanity, profitable to the wise digger, but which in their totality no wise man would wish to recall. CHAPTER III. FROM THE REFORMATION TO MACPHERSON. ̓Αναξιφόρμιγγες ὕμνοι, Τίνα θεὸν, τίν ̓ ἥρωα, Τίνα δ ̓ ἄνδρα κελαδήσομεν ;-PINDAR. BETWEEN the poetry of the Dean of Lismore's Book and that which we are now about to consider there is a wide gap. I cannot tell how it is,-perhaps it is not wise always to demand reasons for the sudden rise of poetical or artistic schools,—but somehow or other, even in the furthest west and most thoroughly Popish of the Western Highlands, the spirit of intellectual individualism seems to have infected the atmosphere; and an army of Celtic poets comes into view, in whom the elements of family-genealogy and clan-eulogy, though in no wise extinct, are subordinated to the personal character and genius of the bard. This is a thoroughly modern element; an element, however, which in the Highland poets never thrusts the workman with undue prominence—as in the case of Lord Byron-into the foreground of his work. The Celtic bard of this epoch, though no longer the mere spokesman of the clans, is thoroughly popular not only in the character of his environment and in the tone of his treatment, but generally in the choice of his subject. He does not compass heaven and earth, like some of our modern poets, to find a subject, and find a bad one after all. If he does not find it in his own G bosom, he will certainly find it among his own hills. Among the most ancient of these poems-no person seems to know the date exactly-is one made known to the general British public three-quarters of a century ago by the accomplished Highland lady, Mrs. Grant of Laggan.1 The name in Gaelic is, Miann'a bhaird aosda, that is, "The Aged Bard's Wish." It is the third in Mackenzie's collection, and starts thus: O càiraibh mi ri taobh nan allt And again : O cuir mo chluas ri fuaim Eas-mòr 'S an sgiath a dhiòn mo shinnsir 's a' chath.. "Where I may hear the waterfall, And the hum of its falling wave, And give me the harp, and the shell, and the shield This poem, by whomsoever written, is extremely beautiful, melodious in language, polished and graceful in execution, so as not undeservedly to claim a place in the great echo chamber of Highland poetry, very similar to that occupied by Gray's Elegy among ourselves. But more noteworthy, 1 Poems by Mrs. Grant of Laggan. Edinburgh, 1803. |