The Works of Samuel Johnson, LL. D.: With an Essay on His Life and Genius, Volume 1A. V. Blake, 1846 |
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Page xxx
... regard the writer's end . Johnson went the lives , delineations of the characters , and to see men and manners , modes of life , and the strictures of the several authors , they are far progress of civilization . His remarks are so from ...
... regard the writer's end . Johnson went the lives , delineations of the characters , and to see men and manners , modes of life , and the strictures of the several authors , they are far progress of civilization . His remarks are so from ...
Page 9
... regard to themselves . 354 277 186 Anningait and Ajut , a Greenland history 187 The history of Anningait and Ajut con- cluded 279 THE IDLER . 280 1 Idler's character 357 188 Favour often gained with little assistance from understanding ...
... regard to themselves . 354 277 186 Anningait and Ajut , a Greenland history 187 The history of Anningait and Ajut con- cluded 279 THE IDLER . 280 1 Idler's character 357 188 Favour often gained with little assistance from understanding ...
Page 14
... regard by a show of openness and magnanimity , by a daring profession of their own deserts , and a public challenge of honours and rewards ? The ostentatious and haughty display of them- selves has been the usual refuge of diurnal writ ...
... regard by a show of openness and magnanimity , by a daring profession of their own deserts , and a public challenge of honours and rewards ? The ostentatious and haughty display of them- selves has been the usual refuge of diurnal writ ...
Page 16
... regard of a multitude fluctuating in plea- sures , or immersed in business , without time for intellectual amusements ; he appeals to judges , prepossessed by passions , or corrupted by preju- dices , which preclude their approbation of ...
... regard of a multitude fluctuating in plea- sures , or immersed in business , without time for intellectual amusements ; he appeals to judges , prepossessed by passions , or corrupted by preju- dices , which preclude their approbation of ...
Page 26
... regard for the labours of one another , if we were to consider from what unpromising beginnings the most useful productions of art have probably arisen . Who , when he saw the first sand or ashes , by a casual intenseness of heat ...
... regard for the labours of one another , if we were to consider from what unpromising beginnings the most useful productions of art have probably arisen . Who , when he saw the first sand or ashes , by a casual intenseness of heat ...
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acquaintance amusements ance appearance beauty censure common considered contempt conversation curiosity danger delight Demochares desire dignity dili discover DRYDEN effect elegance endeavour envy equally excellence expected eyes fancy favour fear felicity flatter folly fortune frequently gain gayety genius give gratify happiness heart honour hope hopes and fears hour human imagination inclined indulge inquiry Johnson kind knowledge labour ladies learning lence less live look mankind marriage ment mind miscarriages misery nature necessary neglect nerally ness never numbers observed once opinion ourselves OVID pain panegyric Paradise Lost passed passions perhaps perpetual pleased pleasure portunity praise precepts pride quire racter RAMBLER reason received regard rence rest SAMUEL JOHNSON SATURDAY scarcely seldom sentiments sion sometimes soon suffer surely tain thing thought Thrasybulus tion truth TUESDAY tural vanity Virgil virtue wish writer
Popular passages
Page xv - is recommended to the public, were written by your lordship. To be so distinguished, is an honour, which, being very little accustomed to favours from the great, I know not well how to receive, or in what terms to acknowledge.
Page xv - Seven years, my lord, have now passed since I waited in your outward rooms, or was repulsed from your door; during which time I have been pushing on my work through difficulties, of which it is useless to complain, and have brought it at last to the verge of publication, without one act of assistance, one word of encouragement, or one smile of favour. Such treatment I did not expect, for I never had a patron before.
Page 215 - So much I feel my genial spirits droop, My hopes all flat, nature within me seems In all her functions weary of herself ; My race of glory run, and race of shame, And I shall shortly be with them that rest.
Page xxiii - Ay, but to die, and go we know not where ; To lie in cold obstruction, and to rot ; This sensible warm motion to become A kneaded clod ; and the delighted spirit To bathe in fiery floods...
Page iv - He appears by bis modest and unaffected narration to have described things as he saw them, to have copied nature from the life, and to have consulted his senses, not his imagination; he meets with no basilisks that destroy with their eyes, his crocodiles devour their prey without tears, and his cataracts fall from the rock without deafening the neighbouring inhabitants.
Page 103 - ... more knowledge may be gained of a man's real character by a short conversation with one of his servants, than from a formal and studied narrative, begun with his pedigree and ended with his funeral.
Page 110 - Thus forlorn and distressed, he wandered through the wild, without knowing whither he was going, or whether he was every moment drawing nearer to safety, or to destruction. At length, not fear, but labour, began to overcome him; his breath grew short, and his knees trembled ; and he was on the point of lying down in resignation to his fate, when he beheld, through the brambles, the glimmer of a taper.
Page xv - Is not a Patron, my Lord, one who looks with unconcern on a man struggling for life in the water and, when he has reached ground, encumbers him with help...
Page 110 - In a short time we remit our fervour, and endeavour to find some mitigation of our duty, and some more easy means of obtaining the same end. We then relax our vigour, and resolve no longer to be terrified with crimes at a distance, but rely upon our own constancy, and venture to approach what we resolve never to touch.
Page 78 - All the performances of human art, at which we look with praise or wonder, are instances of the resistless force of perseverance : it is by this that the quarry becomes a pyramid, and that distant countries are united with canals.