Handbook of Painting: The Italian schools, Part 2 |
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Page 281
... arrangements , unless we give up the idea of a repast , like , for example , Luca Signorelli and Fiesole , who The rather represented the Sacrament of the Eucharist . arrangement Chap . I. 281 LEONARDO DA VINCI AND HIS FOLLOWERS .
... arrangements , unless we give up the idea of a repast , like , for example , Luca Signorelli and Fiesole , who The rather represented the Sacrament of the Eucharist . arrangement Chap . I. 281 LEONARDO DA VINCI AND HIS FOLLOWERS .
Page 282
... arrangement seems , moreover , particularly suitable to the refectory of a convent , where the monks are seated ... arranged three and three together , and they form two separate groups on each side of the Saviour . These four groups in ...
... arrangement seems , moreover , particularly suitable to the refectory of a convent , where the monks are seated ... arranged three and three together , and they form two separate groups on each side of the Saviour . These four groups in ...
Page 286
... arranged composition , in which the general excitement caused [ They were not done precisely at the same time : Michael Angelo's was not completed and shown till 1506. See Passavant , Rafael von Urbino , i . 114.-ED. ] THOMPSON Group ...
... arranged composition , in which the general excitement caused [ They were not done precisely at the same time : Michael Angelo's was not completed and shown till 1506. See Passavant , Rafael von Urbino , i . 114.-ED. ] THOMPSON Group ...
Page 295
... arrangement is solemn and beautiful ; the apostles are simply ranged next each other ; on the left Peter sits at the basin , at the right Christ kneels , behind him John holds the napkin . The folds of the drapery are partly ...
... arrangement is solemn and beautiful ; the apostles are simply ranged next each other ; on the left Peter sits at the basin , at the right Christ kneels , behind him John holds the napkin . The folds of the drapery are partly ...
Page 300
... arrangement and connection of the subjects in the Cap- pella Sistina , see the note at the end of this chapter . - ED . ] 4 The Sibyls , according to the legends of the middle ages , stand next_in soffits of the recesses between these ...
... arrangement and connection of the subjects in the Cap- pella Sistina , see the note at the end of this chapter . - ED . ] 4 The Sibyls , according to the legends of the middle ages , stand next_in soffits of the recesses between these ...
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Common terms and phrases
Academy Adoration altar-picture altar-piece Andrea appears artist ascribed Bartolommeo beautiful Bellini belong Berlin Museum Bologna Borghese palace Carracci cartoon century chapel character chiaroscuro Child Christ church Colonna palace colouring composition Correggio display Domenichino Domenico drapery Duomo engravings excellent executed expression Fcap feeling figures Florence Florentine Fra Bartolommeo Francesco Francis fresco Giorgione Giovanni Giulio Romano graceful Guercino hand head Holy Family imitation John kneeling landscape later Leonardo Leonardo da Vinci Lord Lorenzo Louvre Madonna Manfrini manner Marc Antonio Maria master Michael Angelo Milan Naples Niccolò noble painted painter palace at Rome Palazzo Paolo Passavant Paul Paul Veronese peculiar period Perugino picture Pietro Pitti palace Plates portraits Post 8vo Raphael Razzi remarkable representation represented Roman Rome saints Saviour scene scholars Second Edition spectator Studj Gallery style subjects tapestries Tintoretto tion Titian Uffizj Urbino Vasari Vatican Venetian Venice Veronese Vinci Virgin Vols Woodcuts youth
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