Elements of Criticism, Volume 1Johnson Reprint Corporation, 1967 - Criticism |
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Page 29
... whole . In paffing from a part to the whole , and from an acceffory to its princi- pal , the connection is the fame as in the op- pofite direction . But a sense of order aids the transition in the latter case , and a sense of disorder ...
... whole . In paffing from a part to the whole , and from an acceffory to its princi- pal , the connection is the fame as in the op- pofite direction . But a sense of order aids the transition in the latter case , and a sense of disorder ...
Page 214
... whole did before the di- vifion . If , on the other hand , the whole be very fmall , fo as scarce to fill the eye at one look , its divifions into parts will , I con- jecture , make it appear ftill lefs . The mi- nuteness of the parts ...
... whole did before the di- vifion . If , on the other hand , the whole be very fmall , fo as scarce to fill the eye at one look , its divifions into parts will , I con- jecture , make it appear ftill lefs . The mi- nuteness of the parts ...
Page 362
... whole ap- parent alteration will reft upon the lapdog . The furprise to find it less than judged to be formerly , will draw the whole attention of the mind upon it ; and this surprise will be gratified , by conceiving it to be of the ...
... whole ap- parent alteration will reft upon the lapdog . The furprise to find it less than judged to be formerly , will draw the whole attention of the mind upon it ; and this surprise will be gratified , by conceiving it to be of the ...
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Common terms and phrases
action Æneid againſt agreeable alfo alſo anger appears arts beauty becauſe betwixt Cæfar cafe caufe cauſe circumſtances compariſon confideration confidered connection contraft courſe criticiſm defcribing defire deſcription diftrefs diſagreeable diſcover diſtinct diſtinguiſhed diſtreſs effect emotion raiſed emotions and paffions exerciſe exiſtence faid fame feeling fenfe fenfible fhall fight fimilar fingle fingular fion firſt focial fome fometimes foon ftill fubject fublime fucceffion fuch fufficient grandeur gratification happineſs hath himſelf Iago ideal prefence ideas impreffion inftances intereſting itſelf ject lefs leſs meaſure ment mind moſt motion mufic muſt myſelf nature neceffary obfervation object occafion oppofite Othello paffing painful emotion paſ paſt perceive perceptions perfon pity pleaſant emotion pleaſure preſent produce produceth puniſh purpoſes qualities reaſon reflection reliſh remarkable reſemblance ſcarce ſelfiſh ſenſe ſeparate Shakeſpear ſhall ſhould ſmall ſome ſpectator ſtill ſtrong ſuch ſurpriſe taſte thefe theſe thing thoſe tion uſe variety