Elements of Criticism, Volume 1Johnson Reprint Corporation, 1967 - Criticism |
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Page 10
... Those who apply to the arts , are trained in a very different manner . They are led , ftep by step , from the eafier parts of the opera- tion , to what are more difficult ; and are not permitted to make a new motion , till they be ...
... Those who apply to the arts , are trained in a very different manner . They are led , ftep by step , from the eafier parts of the opera- tion , to what are more difficult ; and are not permitted to make a new motion , till they be ...
Page 78
... those who could fpeak low and tardily , Would turn their own perfection to abuse , To feem like him . Second part , Henry IV . at 2. fc . 6 . When the paffion of love has ended its course , its object becomes quite a different creature ...
... those who could fpeak low and tardily , Would turn their own perfection to abuse , To feem like him . Second part , Henry IV . at 2. fc . 6 . When the paffion of love has ended its course , its object becomes quite a different creature ...
Page 236
... those who wrong him , without mo- ving out of his own fphere for the benefit or chaftifement of those with whom he has no connection . If the good qualities of others excite my benevolence , the fame qualities in myself must produce a ...
... those who wrong him , without mo- ving out of his own fphere for the benefit or chaftifement of those with whom he has no connection . If the good qualities of others excite my benevolence , the fame qualities in myself must produce a ...
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Common terms and phrases
action Æneid againſt agreeable alfo alſo anger appears arts beauty becauſe betwixt Cæfar cafe caufe cauſe circumſtances compariſon confideration confidered connection contraft courſe criticiſm defcribing defire deſcription diftrefs diſagreeable diſcover diſtinct diſtinguiſhed diſtreſs effect emotion raiſed emotions and paffions exerciſe exiſtence faid fame feeling fenfe fenfible fhall fight fimilar fingle fingular fion firſt focial fome fometimes foon ftill fubject fublime fucceffion fuch fufficient grandeur gratification happineſs hath himſelf Iago ideal prefence ideas impreffion inftances intereſting itſelf ject lefs leſs meaſure ment mind moſt motion mufic muſt myſelf nature neceffary obfervation object occafion oppofite Othello paffing painful emotion paſ paſt perceive perceptions perfon pity pleaſant emotion pleaſure preſent produce produceth puniſh purpoſes qualities reaſon reflection reliſh remarkable reſemblance ſcarce ſelfiſh ſenſe ſeparate Shakeſpear ſhall ſhould ſmall ſome ſpectator ſtill ſtrong ſuch ſurpriſe taſte thefe theſe thing thoſe tion uſe variety