Elements of Criticism, Volume 1Johnson Reprint Corporation, 1967 - Criticism |
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Page 169
... these rules ei- ther in the French or Italian opera ; and the attachment we have to these compofi- tions , may at firft fight be confidered as a proof that the foregoing doctrine cannot be founded on human nature . But the gene- VOL . I ...
... these rules ei- ther in the French or Italian opera ; and the attachment we have to these compofi- tions , may at firft fight be confidered as a proof that the foregoing doctrine cannot be founded on human nature . But the gene- VOL . I ...
Page 202
... these separately , with the errors to which each of them is liable . It will be found that these errors often produce very different computations of the fame period of time . The computation of time while it is paffing , comes first in ...
... these separately , with the errors to which each of them is liable . It will be found that these errors often produce very different computations of the fame period of time . The computation of time while it is paffing , comes first in ...
Page 234
... these cafes feparately , in order to elucidate a fubject which by writers is left in great obfcurity . But neither of these principles operates always without rivalship . Cafes may be figured , and cafes actually exist , where the fame ...
... these cafes feparately , in order to elucidate a fubject which by writers is left in great obfcurity . But neither of these principles operates always without rivalship . Cafes may be figured , and cafes actually exist , where the fame ...
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Common terms and phrases
action Æneid againſt agreeable alfo alſo anger appears arts beauty becauſe betwixt Cæfar cafe caufe cauſe circumſtances compariſon confideration confidered connection contraft courſe criticiſm defcribing defire deſcription diftrefs diſagreeable diſcover diſtinct diſtinguiſhed diſtreſs effect emotion raiſed emotions and paffions exerciſe exiſtence faid fame feeling fenfe fenfible fhall fight fimilar fingle fingular fion firſt focial fome fometimes foon ftill fubject fublime fucceffion fuch fufficient grandeur gratification happineſs hath himſelf Iago ideal prefence ideas impreffion inftances intereſting itſelf ject lefs leſs meaſure ment mind moſt motion mufic muſt myſelf nature neceffary obfervation object occafion oppofite Othello paffing painful emotion paſ paſt perceive perceptions perfon pity pleaſant emotion pleaſure preſent produce produceth puniſh purpoſes qualities reaſon reflection reliſh remarkable reſemblance ſcarce ſelfiſh ſenſe ſeparate Shakeſpear ſhall ſhould ſmall ſome ſpectator ſtill ſtrong ſuch ſurpriſe taſte thefe theſe thing thoſe tion uſe variety