Elements of Criticism, Volume 1Johnson Reprint Corporation, 1967 - Criticism |
From inside the book
Results 1-3 of 20
Page 4
... relish , and beget fatiety and dif- guft . To relieve us from that uneafiness , nothing can be more happily contrived than the exhilerating pleasures of the eye and ear , which take place imperceptibly , with- out much varying the tone ...
... relish , and beget fatiety and dif- guft . To relieve us from that uneafiness , nothing can be more happily contrived than the exhilerating pleasures of the eye and ear , which take place imperceptibly , with- out much varying the tone ...
Page 6
... relish a fine countenance , a rich landscape , or a vivid co- lour , culture is unneceffary . The obfervation holds equally in natural founds , fuch as the finging of birds , or the mur- muring of a brook . Nature here , the artificer ...
... relish a fine countenance , a rich landscape , or a vivid co- lour , culture is unneceffary . The obfervation holds equally in natural founds , fuch as the finging of birds , or the mur- muring of a brook . Nature here , the artificer ...
Page 333
... relish novelty the most , are careful to conceal its influence . This relish , it is true , prevails in children , in men of a weak mind . idle people , and in And yet , after all , why should one be ashamed for indulging a a natural ...
... relish novelty the most , are careful to conceal its influence . This relish , it is true , prevails in children , in men of a weak mind . idle people , and in And yet , after all , why should one be ashamed for indulging a a natural ...
Other editions - View all
Common terms and phrases
action Æneid againſt agreeable alfo alſo anger appears arts beauty becauſe betwixt Cæfar cafe caufe cauſe circumſtances compariſon confideration confidered connection contraft courſe criticiſm defcribing defire deſcription diftrefs diſagreeable diſcover diſtinct diſtinguiſhed diſtreſs effect emotion raiſed emotions and paffions exerciſe exiſtence faid fame feeling fenfe fenfible fhall fight fimilar fingle fingular fion firſt focial fome fometimes foon ftill fubject fublime fucceffion fuch fufficient grandeur gratification happineſs hath himſelf Iago ideal prefence ideas impreffion inftances intereſting itſelf ject lefs leſs meaſure ment mind moſt motion mufic muſt myſelf nature neceffary obfervation object occafion oppofite Othello paffing painful emotion paſ paſt perceive perceptions perfon pity pleaſant emotion pleaſure preſent produce produceth puniſh purpoſes qualities reaſon reflection reliſh remarkable reſemblance ſcarce ſelfiſh ſenſe ſeparate Shakeſpear ſhall ſhould ſmall ſome ſpectator ſtill ſtrong ſuch ſurpriſe taſte thefe theſe thing thoſe tion uſe variety