Elements of Criticism, Volume 1Johnson Reprint Corporation, 1967 - Criticism |
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Page 346
... resemblance is greedily remarked , without attending to the many particulars in which they differ . A comparison however may be too far ftretched . When differences or resemblan- ces are carried beyond certain bounds , they appear ...
... resemblance is greedily remarked , without attending to the many particulars in which they differ . A comparison however may be too far ftretched . When differences or resemblan- ces are carried beyond certain bounds , they appear ...
Page 358
... resemblance , serves e- qually to explain why at first view we are apt to think fuch resemblance more entire than it is in reality . And it must be obser- ved , that the circumftances of more and lefs , which are the proper fubjects of ...
... resemblance , serves e- qually to explain why at first view we are apt to think fuch resemblance more entire than it is in reality . And it must be obser- ved , that the circumftances of more and lefs , which are the proper fubjects of ...
Page 374
... resemblance to be stu- died or contrast ? The emotions raised by the fine arts , are generally too nearly rela- ted to make a figure by resemblance ; and for that reason , their fucceffion ought to be regulated as much as poffible by ...
... resemblance to be stu- died or contrast ? The emotions raised by the fine arts , are generally too nearly rela- ted to make a figure by resemblance ; and for that reason , their fucceffion ought to be regulated as much as poffible by ...
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Common terms and phrases
action Æneid againſt agreeable alfo alſo anger appears arts beauty becauſe betwixt Cæfar cafe caufe cauſe circumſtances compariſon confideration confidered connection contraft courſe criticiſm defcribing defire deſcription diftrefs diſagreeable diſcover diſtinct diſtinguiſhed diſtreſs effect emotion raiſed emotions and paffions exerciſe exiſtence faid fame feeling fenfe fenfible fhall fight fimilar fingle fingular fion firſt focial fome fometimes foon ftill fubject fublime fucceffion fuch fufficient grandeur gratification happineſs hath himſelf Iago ideal prefence ideas impreffion inftances intereſting itſelf ject lefs leſs meaſure ment mind moſt motion mufic muſt myſelf nature neceffary obfervation object occafion oppofite Othello paffing painful emotion paſ paſt perceive perceptions perfon pity pleaſant emotion pleaſure preſent produce produceth puniſh purpoſes qualities reaſon reflection reliſh remarkable reſemblance ſcarce ſelfiſh ſenſe ſeparate Shakeſpear ſhall ſhould ſmall ſome ſpectator ſtill ſtrong ſuch ſurpriſe taſte thefe theſe thing thoſe tion uſe variety