Elements of Criticism, Volume 1Johnson Reprint Corporation, 1967 - Criticism |
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Page 47
... raise pleasant emo- tions . A barren heath , a dirty marsh , a rotten carcass , raise painful emotions . Of the ... raised by a fine building . If external properties make a being or thing agreeable , we have reason to expect the ...
... raise pleasant emo- tions . A barren heath , a dirty marsh , a rotten carcass , raise painful emotions . Of the ... raised by a fine building . If external properties make a being or thing agreeable , we have reason to expect the ...
Page 141
... raised by an idea the fame with what is raised by a fight of the object . But fuch accuracy is not found in common apprehenfion , nor is neceffary in common language . The emotions raised by a fine landscape in its fucceffive appearan ...
... raised by an idea the fame with what is raised by a fight of the object . But fuch accuracy is not found in common apprehenfion , nor is neceffary in common language . The emotions raised by a fine landscape in its fucceffive appearan ...
Page 374
... raised to its due pitch , before an- other be introduced . What is above laid down , will enable us to determine a very important question concerning emotions raised by the fine arts , viz . What ought to be the rule of fuccef- fion ...
... raised to its due pitch , before an- other be introduced . What is above laid down , will enable us to determine a very important question concerning emotions raised by the fine arts , viz . What ought to be the rule of fuccef- fion ...
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Common terms and phrases
action Æneid againſt agreeable alfo alſo anger appears arts beauty becauſe betwixt Cæfar cafe caufe cauſe circumſtances compariſon confideration confidered connection contraft courſe criticiſm defcribing defire deſcription diftrefs diſagreeable diſcover diſtinct diſtinguiſhed diſtreſs effect emotion raiſed emotions and paffions exerciſe exiſtence faid fame feeling fenfe fenfible fhall fight fimilar fingle fingular fion firſt focial fome fometimes foon ftill fubject fublime fucceffion fuch fufficient grandeur gratification happineſs hath himſelf Iago ideal prefence ideas impreffion inftances intereſting itſelf ject lefs leſs meaſure ment mind moſt motion mufic muſt myſelf nature neceffary obfervation object occafion oppofite Othello paffing painful emotion paſ paſt perceive perceptions perfon pity pleaſant emotion pleaſure preſent produce produceth puniſh purpoſes qualities reaſon reflection reliſh remarkable reſemblance ſcarce ſelfiſh ſenſe ſeparate Shakeſpear ſhall ſhould ſmall ſome ſpectator ſtill ſtrong ſuch ſurpriſe taſte thefe theſe thing thoſe tion uſe variety