Elements of Criticism, Volume 1Johnson Reprint Corporation, 1967 - Criticism |
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Page 7
... proper care , greatly improved . In this re- spect , a taste in the fine arts goes hand in hand with the moral fenfe , to which indeed it is nearly allied . Both of them discover / what is right and what is wrong . Fashion , temper ...
... proper care , greatly improved . In this re- spect , a taste in the fine arts goes hand in hand with the moral fenfe , to which indeed it is nearly allied . Both of them discover / what is right and what is wrong . Fashion , temper ...
Page 75
... Proper means , at the fame time , being ever at hand to raise this fympathetic emotion , its frequent reiteration may , in a good measure , supply the want of a more complete exercise . Thus , by proper discipline , every perfon may ...
... Proper means , at the fame time , being ever at hand to raise this fympathetic emotion , its frequent reiteration may , in a good measure , supply the want of a more complete exercise . Thus , by proper discipline , every perfon may ...
Page 82
... proper object for de- fire . And thus it happens that one paffion is often productive of another . Examples are without number : the fole difficulty is a proper choice . I begin with felf - love , and the power it hath to generate other ...
... proper object for de- fire . And thus it happens that one paffion is often productive of another . Examples are without number : the fole difficulty is a proper choice . I begin with felf - love , and the power it hath to generate other ...
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Common terms and phrases
action Æneid againſt agreeable alfo alſo anger appears arts beauty becauſe betwixt Cæfar cafe caufe cauſe circumſtances compariſon confideration confidered connection contraft courſe criticiſm defcribing defire deſcription diftrefs diſagreeable diſcover diſtinct diſtinguiſhed diſtreſs effect emotion raiſed emotions and paffions exerciſe exiſtence faid fame feeling fenfe fenfible fhall fight fimilar fingle fingular fion firſt focial fome fometimes foon ftill fubject fublime fucceffion fuch fufficient grandeur gratification happineſs hath himſelf Iago ideal prefence ideas impreffion inftances intereſting itſelf ject lefs leſs meaſure ment mind moſt motion mufic muſt myſelf nature neceffary obfervation object occafion oppofite Othello paffing painful emotion paſ paſt perceive perceptions perfon pity pleaſant emotion pleaſure preſent produce produceth puniſh purpoſes qualities reaſon reflection reliſh remarkable reſemblance ſcarce ſelfiſh ſenſe ſeparate Shakeſpear ſhall ſhould ſmall ſome ſpectator ſtill ſtrong ſuch ſurpriſe taſte thefe theſe thing thoſe tion uſe variety