Elements of Criticism, Volume 1 |
From inside the book
Results 1-3 of 21
Page 92
... impression in a similar tone , than when cool and quiescent . It is a common
observation , that pity generally produceth friendship for a person in distress . Pity
interests us in its object , and recommends all Pity 92 EMOTIONS AND Passions .
... impression in a similar tone , than when cool and quiescent . It is a common
observation , that pity generally produceth friendship for a person in distress . Pity
interests us in its object , and recommends all Pity 92 EMOTIONS AND Passions .
Page 93
Pity interests us in its object , and recommends all its virtuous qualities . For this
reason , female beauty shows best in distress ; and is more apt to inspire love ,
than upon ordinary occasions . But it is chiefly to be remarked , that pity , warming
...
Pity interests us in its object , and recommends all its virtuous qualities . For this
reason , female beauty shows best in distress ; and is more apt to inspire love ,
than upon ordinary occasions . But it is chiefly to be remarked , that pity , warming
...
Page 221
Pity is fimilar to its cause . A parting scene betwixt lovers or friends , produceth in
the spectator a fort of pity , which is tender like the distress . The anguish of
remorse , produceth pity of a harsh kind ; and if the remorse be extreme , the pity
hath ...
Pity is fimilar to its cause . A parting scene betwixt lovers or friends , produceth in
the spectator a fort of pity , which is tender like the distress . The anguish of
remorse , produceth pity of a harsh kind ; and if the remorse be extreme , the pity
hath ...
What people are saying - Write a review
We haven't found any reviews in the usual places.
Other editions - View all
Common terms and phrases
action agreeable alſo appears arts beauty becauſe becomes betwixt body caſe cauſe circumſtances colour common connection conſidered courſe delightful deſire directed diſagreeable diſtinguiſhed diſtreſs effect elevation emotion equally event example exerted external extremely fame feeling felt figure fion firſt force former give grandeur gratification hand hath Hence human ideas imagination impreſſion influence inſtances itſelf ject kind latter leſs light manner means meaſure ment mind moſt motion move muſt nature never novelty object obſervation occaſion oppoſite painful particular paſſion perceive perceptions perſon pity pleaſant pleaſure preſent principle proceed produce proper proportion qualities raiſed reaſon reflection regularity relation reliſh remarkable requires reſemblance reſpect rule ſame ſcarce ſenſe ſenſible ſhall ſhould ſimilar ſingle ſome ſpectator ſtill ſubject ſucceſſion ſuch ſurpriſe taſte termed theſe thing thoſe thought tion train uniformity variety whole wonder