Elements of Criticism, Volume 1Johnson Reprint Corporation, 1967 - Criticism |
From inside the book
Results 1-3 of 95
Page 53
... passion , and to be the cause or occafion of it . But after the ftricteft examination , I cannot perceive any fuch distinction betwixt emo- tion and paffion . What is love to a mi- ftrefs , for example , but a pleasant emotion raised by ...
... passion , and to be the cause or occafion of it . But after the ftricteft examination , I cannot perceive any fuch distinction betwixt emo- tion and paffion . What is love to a mi- ftrefs , for example , but a pleasant emotion raised by ...
Page 155
... e- motions in fucceffion , are far from making the fame figure ; because the mind at no inftant U 2 inftant of the fucceffion is confcious of more than a Part IV . EMOTIONS AND PASSIONS . 155 Language of passion, 2 204.
... e- motions in fucceffion , are far from making the fame figure ; because the mind at no inftant U 2 inftant of the fucceffion is confcious of more than a Part IV . EMOTIONS AND PASSIONS . 155 Language of passion, 2 204.
Page 196
... passion . Good news are greedily fwallowed upon very flender evidence . Our wishes mag- nify the probability of the ... PASSIONS . Ch . II .
... passion . Good news are greedily fwallowed upon very flender evidence . Our wishes mag- nify the probability of the ... PASSIONS . Ch . II .
Other editions - View all
Common terms and phrases
action Æneid againſt agreeable alfo alſo anger appears arts beauty becauſe betwixt Cæfar cafe caufe cauſe circumſtances compariſon confideration confidered connection contraft courſe criticiſm defcribing defire deſcription diftrefs diſagreeable diſcover diſtinct diſtinguiſhed diſtreſs effect emotion raiſed emotions and paffions exerciſe exiſtence faid fame feeling fenfe fenfible fhall fight fimilar fingle fingular fion firſt focial fome fometimes foon ftill fubject fublime fucceffion fuch fufficient grandeur gratification happineſs hath himſelf Iago ideal prefence ideas impreffion inftances intereſting itſelf ject lefs leſs meaſure ment mind moſt motion mufic muſt myſelf nature neceffary obfervation object occafion oppofite Othello paffing painful emotion paſ paſt perceive perceptions perfon pity pleaſant emotion pleaſure preſent produce produceth puniſh purpoſes qualities reaſon reflection reliſh remarkable reſemblance ſcarce ſelfiſh ſenſe ſeparate Shakeſpear ſhall ſhould ſmall ſome ſpectator ſtill ſtrong ſuch ſurpriſe taſte thefe theſe thing thoſe tion uſe variety