Elements of Criticism, Volume 1Johnson Reprint Corporation, 1967 - Criticism |
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Page 87
... pro- duce effects directly opposite to those above mentioned . If I hate a man , his children , his relations , nay his property , become to me ! me objects of averfion . His enemies , on the Part I. EMOTIONS AND PASSIONS . 87.
... pro- duce effects directly opposite to those above mentioned . If I hate a man , his children , his relations , nay his property , become to me ! me objects of averfion . His enemies , on the Part I. EMOTIONS AND PASSIONS . 87.
Page 154
... opposite tones : it cannot at the fame instant be both joyful and fad , angry and satisfied , proud and humble . Diffimilar emotions may fuc- ceed each other with rapidity , but they can- not exist fimultaneously . Betwixt these two ...
... opposite tones : it cannot at the fame instant be both joyful and fad , angry and satisfied , proud and humble . Diffimilar emotions may fuc- ceed each other with rapidity , but they can- not exist fimultaneously . Betwixt these two ...
Page 179
... opposite paffions directed upon the fame ob- ject . Caftalio and Polydore , brothers and rivals , had fworn mutual confidence . Ca- ftalio broke his faith by a private marriage . By this concealment , Polydore was unwa- rily betrayed ...
... opposite paffions directed upon the fame ob- ject . Caftalio and Polydore , brothers and rivals , had fworn mutual confidence . Ca- ftalio broke his faith by a private marriage . By this concealment , Polydore was unwa- rily betrayed ...
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Common terms and phrases
action Æneid againſt agreeable alfo alſo anger appears arts beauty becauſe betwixt Cæfar cafe caufe cauſe circumſtances compariſon confideration confidered connection contraft courſe criticiſm defcribing defire deſcription diftrefs diſagreeable diſcover diſtinct diſtinguiſhed diſtreſs effect emotion raiſed emotions and paffions exerciſe exiſtence faid fame feeling fenfe fenfible fhall fight fimilar fingle fingular fion firſt focial fome fometimes foon ftill fubject fublime fucceffion fuch fufficient grandeur gratification happineſs hath himſelf Iago ideal prefence ideas impreffion inftances intereſting itſelf ject lefs leſs meaſure ment mind moſt motion mufic muſt myſelf nature neceffary obfervation object occafion oppofite Othello paffing painful emotion paſ paſt perceive perceptions perfon pity pleaſant emotion pleaſure preſent produce produceth puniſh purpoſes qualities reaſon reflection reliſh remarkable reſemblance ſcarce ſelfiſh ſenſe ſeparate Shakeſpear ſhall ſhould ſmall ſome ſpectator ſtill ſtrong ſuch ſurpriſe taſte thefe theſe thing thoſe tion uſe variety