Elements of Criticism, Volume 1Johnson Reprint Corporation, 1967 - Criticism |
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Page 226
... objects and enjoying them . On the other hand , a difagreeable object of the fame kind , raises in us a painful emotion including a defire to turn from the object , which relieves us of course from the pain ; and hence such an object ...
... objects and enjoying them . On the other hand , a difagreeable object of the fame kind , raises in us a painful emotion including a defire to turn from the object , which relieves us of course from the pain ; and hence such an object ...
Page 329
... object by its fudden and unforeseen appearance , makes an im- preffion , not gradually as expected objects do , but as at one ftroke with its whole force . The circumstances are precifely fimilar , where the object is in itself ...
... object by its fudden and unforeseen appearance , makes an im- preffion , not gradually as expected objects do , but as at one ftroke with its whole force . The circumstances are precifely fimilar , where the object is in itself ...
Page 384
... objects * . On the other hand , the fucceffion must be flow where the train is composed of un- connected objects . An unconnected object , finding no ready accefs to the mind , requires time to make an impreffion . And that it is not ...
... objects * . On the other hand , the fucceffion must be flow where the train is composed of un- connected objects . An unconnected object , finding no ready accefs to the mind , requires time to make an impreffion . And that it is not ...
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Common terms and phrases
action Æneid againſt agreeable alfo alſo anger appears arts beauty becauſe betwixt Cæfar cafe caufe cauſe circumſtances compariſon confideration confidered connection contraft courſe criticiſm defcribing defire deſcription diftrefs diſagreeable diſcover diſtinct diſtinguiſhed diſtreſs effect emotion raiſed emotions and paffions exerciſe exiſtence faid fame feeling fenfe fenfible fhall fight fimilar fingle fingular fion firſt focial fome fometimes foon ftill fubject fublime fucceffion fuch fufficient grandeur gratification happineſs hath himſelf Iago ideal prefence ideas impreffion inftances intereſting itſelf ject lefs leſs meaſure ment mind moſt motion mufic muſt myſelf nature neceffary obfervation object occafion oppofite Othello paffing painful emotion paſ paſt perceive perceptions perfon pity pleaſant emotion pleaſure preſent produce produceth puniſh purpoſes qualities reaſon reflection reliſh remarkable reſemblance ſcarce ſelfiſh ſenſe ſeparate Shakeſpear ſhall ſhould ſmall ſome ſpectator ſtill ſtrong ſuch ſurpriſe taſte thefe theſe thing thoſe tion uſe variety