Elements of Criticism, Volume 1Johnson Reprint Corporation, 1967 - Criticism |
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Page 77
... must be a momentary personifi- cation . A fhip must be imagined a fenfible being , to make it fufceptible of honour or difhonour . In the battle of Mantinea , Epaminondas being mortally wounded , was carried to his tent in a manner dead ...
... must be a momentary personifi- cation . A fhip must be imagined a fenfible being , to make it fufceptible of honour or difhonour . In the battle of Mantinea , Epaminondas being mortally wounded , was carried to his tent in a manner dead ...
Page 159
... must be oppofite to what are above described ; and in order to explain them with accuracy , diffimilar emotions proceeding from con- nected causes , must be distinguished from what proceed from caufes that are un- connected . Diffimilar ...
... must be oppofite to what are above described ; and in order to explain them with accuracy , diffimilar emotions proceeding from con- nected causes , must be distinguished from what proceed from caufes that are un- connected . Diffimilar ...
Page 171
... must be fimilar . They accordingly readily unite , and in conjunction have dou- ble force ; which must hold whether the two paffions have the fame or different cau- fes . This is verified by experience ; from which we learn , that ...
... must be fimilar . They accordingly readily unite , and in conjunction have dou- ble force ; which must hold whether the two paffions have the fame or different cau- fes . This is verified by experience ; from which we learn , that ...
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Common terms and phrases
action Æneid againſt agreeable alfo alſo anger appears arts beauty becauſe betwixt Cæfar cafe caufe cauſe circumſtances compariſon confideration confidered connection contraft courſe criticiſm defcribing defire deſcription diftrefs diſagreeable diſcover diſtinct diſtinguiſhed diſtreſs effect emotion raiſed emotions and paffions exerciſe exiſtence faid fame feeling fenfe fenfible fhall fight fimilar fingle fingular fion firſt focial fome fometimes foon ftill fubject fublime fucceffion fuch fufficient grandeur gratification happineſs hath himſelf Iago ideal prefence ideas impreffion inftances intereſting itſelf ject lefs leſs meaſure ment mind moſt motion mufic muſt myſelf nature neceffary obfervation object occafion oppofite Othello paffing painful emotion paſ paſt perceive perceptions perfon pity pleaſant emotion pleaſure preſent produce produceth puniſh purpoſes qualities reaſon reflection reliſh remarkable reſemblance ſcarce ſelfiſh ſenſe ſeparate Shakeſpear ſhall ſhould ſmall ſome ſpectator ſtill ſtrong ſuch ſurpriſe taſte thefe theſe thing thoſe tion uſe variety