Elements of Criticism, Volume 1 |
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Page 113
We know this to be the case of objects of light : we are scarce sensible of any
emotion in a quick succession even of the most beautiful objects . And if this hold
in the succeflion of original perceptions , how much more in the succession of
ideas ...
We know this to be the case of objects of light : we are scarce sensible of any
emotion in a quick succession even of the most beautiful objects . And if this hold
in the succeflion of original perceptions , how much more in the succession of
ideas ...
Page 178
... you , you chaste stars ! It is the cause . Yet I ' ll not shed her blood , Nor scar
that whiter skin of hers than snow , And smooth as monumental alabaster . [ Lays
down the sword , Yet she must die ; else she ' ll betray more men . Put out the
light ...
... you , you chaste stars ! It is the cause . Yet I ' ll not shed her blood , Nor scar
that whiter skin of hers than snow , And smooth as monumental alabaster . [ Lays
down the sword , Yet she must die ; else she ' ll betray more men . Put out the
light ...
Page 179
If I quench thee , thou flaming minister , I can again thy former light restore ,
Should I repent : but once put out thy light , Thou cunning ' st pattern of excelling
nature , I know not where is that Promethean heat That can thy light relumine .
If I quench thee , thou flaming minister , I can again thy former light restore ,
Should I repent : but once put out thy light , Thou cunning ' st pattern of excelling
nature , I know not where is that Promethean heat That can thy light relumine .
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action agreeable alſo appears arts beauty becauſe becomes betwixt body caſe cauſe circumſtances colour common connection conſidered courſe delightful deſire directed diſagreeable diſtinguiſhed diſtreſs effect elevation emotion equally event example exerted external extremely fame feeling felt figure fion firſt force former give grandeur gratification hand hath Hence human ideas imagination impreſſion influence inſtances itſelf ject kind latter leſs light manner means meaſure ment mind moſt motion move muſt nature never novelty object obſervation occaſion oppoſite painful particular paſſion perceive perceptions perſon pity pleaſant pleaſure preſent principle proceed produce proper proportion qualities raiſed reaſon reflection regularity relation reliſh remarkable requires reſemblance reſpect rule ſame ſcarce ſenſe ſenſible ſhall ſhould ſimilar ſingle ſome ſpectator ſtill ſubject ſucceſſion ſuch ſurpriſe taſte termed theſe thing thoſe thought tion train uniformity variety whole wonder