Elements of Criticism, Volume 1Johnson Reprint Corporation, 1967 - Criticism |
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Page 1
... impression . In touching , tasting , and smelling , we are conscious of the impref- fion . Not fo in feeing and hearing . When I behold a tree , I am not fenfible of the impreffion made upon my eye ; nor of the impreffion made upon my ...
... impression . In touching , tasting , and smelling , we are conscious of the impref- fion . Not fo in feeing and hearing . When I behold a tree , I am not fenfible of the impreffion made upon my eye ; nor of the impreffion made upon my ...
Page 123
Lord Henry Home Kames. engaged , is in that fituation susceptible of the strongest impressions : Veraque conftituunt , quæ bellè tangere poffunt Aureis , et lepido quæ funt fucata fonore . Lucretius , lib . 1. l . 644 . A masterly ...
Lord Henry Home Kames. engaged , is in that fituation susceptible of the strongest impressions : Veraque conftituunt , quæ bellè tangere poffunt Aureis , et lepido quæ funt fucata fonore . Lucretius , lib . 1. l . 644 . A masterly ...
Page 208
... impression , and are faithfully remembered . Ideas , on the con- trary , however entertaining at the time , are apt to escape an after recollection . Hence it is , that in retrospection , the time that was employed upon real objects ...
... impression , and are faithfully remembered . Ideas , on the con- trary , however entertaining at the time , are apt to escape an after recollection . Hence it is , that in retrospection , the time that was employed upon real objects ...
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Common terms and phrases
action Æneid againſt agreeable alfo alſo anger appears arts beauty becauſe betwixt Cæfar cafe caufe cauſe circumſtances compariſon confideration confidered connection contraft courſe criticiſm defcribing defire deſcription diftrefs diſagreeable diſcover diſtinct diſtinguiſhed diſtreſs effect emotion raiſed emotions and paffions exerciſe exiſtence faid fame feeling fenfe fenfible fhall fight fimilar fingle fingular fion firſt focial fome fometimes foon ftill fubject fublime fucceffion fuch fufficient grandeur gratification happineſs hath himſelf Iago ideal prefence ideas impreffion inftances intereſting itſelf ject lefs leſs meaſure ment mind moſt motion mufic muſt myſelf nature neceffary obfervation object occafion oppofite Othello paffing painful emotion paſ paſt perceive perceptions perfon pity pleaſant emotion pleaſure preſent produce produceth puniſh purpoſes qualities reaſon reflection reliſh remarkable reſemblance ſcarce ſelfiſh ſenſe ſeparate Shakeſpear ſhall ſhould ſmall ſome ſpectator ſtill ſtrong ſuch ſurpriſe taſte thefe theſe thing thoſe tion uſe variety