Elements of Criticism, Volume 1 |
From inside the book
Results 1-3 of 39
Page 1
T H E five senses agree in the following particular , that nothing external is
perceived till it first make an impression upon the organ of sense ; the impression
, for example , made upon the hand by a stone , upon the palate by sugar , and
upon ...
T H E five senses agree in the following particular , that nothing external is
perceived till it first make an impression upon the organ of sense ; the impression
, for example , made upon the hand by a stone , upon the palate by sugar , and
upon ...
Page 2
cause in tasting , touching , and smelling , we are conscious of the impression
made upon the organ , we naturally place there also , the pleasant or painful
feeling caused by that impression . And because such feelings seem to be
placed ...
cause in tasting , touching , and smelling , we are conscious of the impression
made upon the organ , we naturally place there also , the pleasant or painful
feeling caused by that impression . And because such feelings seem to be
placed ...
Page 117
A good historical picture makes a deeper impression than can be made by v
words , though not equal to what is made by theatrical action . And as ideal
presence depends on a lively impression , painting seems to possess a middle
place ...
A good historical picture makes a deeper impression than can be made by v
words , though not equal to what is made by theatrical action . And as ideal
presence depends on a lively impression , painting seems to possess a middle
place ...
What people are saying - Write a review
We haven't found any reviews in the usual places.
Other editions - View all
Common terms and phrases
action agreeable alſo appears arts beauty becauſe becomes betwixt body caſe cauſe circumſtances colour common connection conſidered courſe delightful deſire directed diſagreeable diſtinguiſhed diſtreſs effect elevation emotion equally event example exerted external extremely fame feeling felt figure fion firſt force former give grandeur gratification hand hath Hence human ideas imagination impreſſion influence inſtances itſelf ject kind latter leſs light manner means meaſure ment mind moſt motion move muſt nature never novelty object obſervation occaſion oppoſite painful particular paſſion perceive perceptions perſon pity pleaſant pleaſure preſent principle proceed produce proper proportion qualities raiſed reaſon reflection regularity relation reliſh remarkable requires reſemblance reſpect rule ſame ſcarce ſenſe ſenſible ſhall ſhould ſimilar ſingle ſome ſpectator ſtill ſubject ſucceſſion ſuch ſurpriſe taſte termed theſe thing thoſe thought tion train uniformity variety whole wonder