Elements of Criticism, Volume 1Johnson Reprint Corporation, 1967 - Criticism |
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Page 24
... ideas must be a chain , in which the parti- cular ideas are linked to each other . may vary the order of a natural train ; but not fo as to diffolve it altogether , by carry- ing on our thoughts in a loose manner without any connection ...
... ideas must be a chain , in which the parti- cular ideas are linked to each other . may vary the order of a natural train ; but not fo as to diffolve it altogether , by carry- ing on our thoughts in a loose manner without any connection ...
Page 210
... ideas , pro- ceeds with an extreme flow pace . Not on- ly are the ideas few in number , but are apt to efcape an after - reckoning . The like falfe reckoning of time may proceed from an op- pofite ftate of mind . In a reverie , where ideas ...
... ideas , pro- ceeds with an extreme flow pace . Not on- ly are the ideas few in number , but are apt to efcape an after - reckoning . The like falfe reckoning of time may proceed from an op- pofite ftate of mind . In a reverie , where ideas ...
Page 385
Lord Henry Home Kames. the new object . The fame obfervations are applicable to ideas fuggested by language . The mind can bear a quick fucceffion of re- lated ideas . But an unrelated idea , for which the mind is not prepared , takes ...
Lord Henry Home Kames. the new object . The fame obfervations are applicable to ideas fuggested by language . The mind can bear a quick fucceffion of re- lated ideas . But an unrelated idea , for which the mind is not prepared , takes ...
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Common terms and phrases
action Æneid againſt agreeable alfo alſo anger appears arts beauty becauſe betwixt Cæfar cafe caufe cauſe circumſtances compariſon confideration confidered connection contraft courſe criticiſm defcribing defire deſcription diftrefs diſagreeable diſcover diſtinct diſtinguiſhed diſtreſs effect emotion raiſed emotions and paffions exerciſe exiſtence faid fame feeling fenfe fenfible fhall fight fimilar fingle fingular fion firſt focial fome fometimes foon ftill fubject fublime fucceffion fuch fufficient grandeur gratification happineſs hath himſelf Iago ideal prefence ideas impreffion inftances intereſting itſelf ject lefs leſs meaſure ment mind moſt motion mufic muſt myſelf nature neceffary obfervation object occafion oppofite Othello paffing painful emotion paſ paſt perceive perceptions perfon pity pleaſant emotion pleaſure preſent produce produceth puniſh purpoſes qualities reaſon reflection reliſh remarkable reſemblance ſcarce ſelfiſh ſenſe ſeparate Shakeſpear ſhall ſhould ſmall ſome ſpectator ſtill ſtrong ſuch ſurpriſe taſte thefe theſe thing thoſe tion uſe variety