Elements of Criticism, Volume 1Johnson Reprint Corporation, 1967 - Criticism |
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Page 325
... first seen from a place of fafety , the spectacle is altogether greeable without the leaft mixture of ter- ror . If again the first fight put us within reach of this dangerous animal , our terror may be fo great as quite to exclude any ...
... first seen from a place of fafety , the spectacle is altogether greeable without the leaft mixture of ter- ror . If again the first fight put us within reach of this dangerous animal , our terror may be fo great as quite to exclude any ...
Page 358
... first time placed befide a very small one of the fame fpecies . The oppofition is the first thing that strikes the mind : the unusual appearance gives surprise ; and the spectator , prone to gratify this emotion , conceives the ...
... first time placed befide a very small one of the fame fpecies . The oppofition is the first thing that strikes the mind : the unusual appearance gives surprise ; and the spectator , prone to gratify this emotion , conceives the ...
Page 361
... first mentioned . And the reason will appear upon analyzing the operation . The first thing we feel is surprise , occafion- ed by the uncommon difference of two creatures of the fame fpecies . We are next fenfible , that the one appears ...
... first mentioned . And the reason will appear upon analyzing the operation . The first thing we feel is surprise , occafion- ed by the uncommon difference of two creatures of the fame fpecies . We are next fenfible , that the one appears ...
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Common terms and phrases
action Æneid againſt agreeable alfo alſo anger appears arts beauty becauſe betwixt Cæfar cafe caufe cauſe circumſtances compariſon confideration confidered connection contraft courſe criticiſm defcribing defire deſcription diftrefs diſagreeable diſcover diſtinct diſtinguiſhed diſtreſs effect emotion raiſed emotions and paffions exerciſe exiſtence faid fame feeling fenfe fenfible fhall fight fimilar fingle fingular fion firſt focial fome fometimes foon ftill fubject fublime fucceffion fuch fufficient grandeur gratification happineſs hath himſelf Iago ideal prefence ideas impreffion inftances intereſting itſelf ject lefs leſs meaſure ment mind moſt motion mufic muſt myſelf nature neceffary obfervation object occafion oppofite Othello paffing painful emotion paſ paſt perceive perceptions perfon pity pleaſant emotion pleaſure preſent produce produceth puniſh purpoſes qualities reaſon reflection reliſh remarkable reſemblance ſcarce ſelfiſh ſenſe ſeparate Shakeſpear ſhall ſhould ſmall ſome ſpectator ſtill ſtrong ſuch ſurpriſe taſte thefe theſe thing thoſe tion uſe variety