Elements of Criticism, Volume 1Johnson Reprint Corporation, 1967 - Criticism |
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Page 219
... figures may appear eafy and free in their movements . Hence the disagreeable figure of a French dancing- master is one of Hogarth's pieces . It is alfo ridiculous , because the conftraint is affumed and not forced . The foregoing ...
... figures may appear eafy and free in their movements . Hence the disagreeable figure of a French dancing- master is one of Hogarth's pieces . It is alfo ridiculous , because the conftraint is affumed and not forced . The foregoing ...
Page 243
... figure , fize , and fometimes motion . By means of each of thefe particulars , feparately confidered , it appears beautiful : how much more fo , when they enter all into one complex per- ception ? The beauty of the human figure is ...
... figure , fize , and fometimes motion . By means of each of thefe particulars , feparately confidered , it appears beautiful : how much more fo , when they enter all into one complex per- ception ? The beauty of the human figure is ...
Page 267
... figure , and more than colour . Figure and colour , even in the fame body , produce separate emotions , which are ne- ver misapprehended one for the other . Why should not magnitude produce an emotion different from both ? That it has ...
... figure , and more than colour . Figure and colour , even in the fame body , produce separate emotions , which are ne- ver misapprehended one for the other . Why should not magnitude produce an emotion different from both ? That it has ...
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Common terms and phrases
action Æneid againſt agreeable alfo alſo anger appears arts beauty becauſe betwixt Cæfar cafe caufe cauſe circumſtances compariſon confideration confidered connection contraft courſe criticiſm defcribing defire deſcription diftrefs diſagreeable diſcover diſtinct diſtinguiſhed diſtreſs effect emotion raiſed emotions and paffions exerciſe exiſtence faid fame feeling fenfe fenfible fhall fight fimilar fingle fingular fion firſt focial fome fometimes foon ftill fubject fublime fucceffion fuch fufficient grandeur gratification happineſs hath himſelf Iago ideal prefence ideas impreffion inftances intereſting itſelf ject lefs leſs meaſure ment mind moſt motion mufic muſt myſelf nature neceffary obfervation object occafion oppofite Othello paffing painful emotion paſ paſt perceive perceptions perfon pity pleaſant emotion pleaſure preſent produce produceth puniſh purpoſes qualities reaſon reflection reliſh remarkable reſemblance ſcarce ſelfiſh ſenſe ſeparate Shakeſpear ſhall ſhould ſmall ſome ſpectator ſtill ſtrong ſuch ſurpriſe taſte thefe theſe thing thoſe tion uſe variety