Elements of Criticism, Volume 1 |
From inside the book
Results 1-3 of 43
Page 50
Hence it must be evident , that emotions are raised , not by qualities abstractly
considered , but by the substance or body to and so qualified . Thus a spreading
oak raises a pleasant emotion , by means of its colour , figure , umbrage , & c .
Hence it must be evident , that emotions are raised , not by qualities abstractly
considered , but by the substance or body to and so qualified . Thus a spreading
oak raises a pleasant emotion , by means of its colour , figure , umbrage , & c .
Page 243
In the very simplest , colour is perceived , figure , and length breadth and
thickness . A tree is composed of a trunk , branches , and leaves . It has colour ,
figure , size , and sometimes motion . By means of each of these particulars ,
separately ...
In the very simplest , colour is perceived , figure , and length breadth and
thickness . A tree is composed of a trunk , branches , and leaves . It has colour ,
figure , size , and sometimes motion . By means of each of these particulars ,
separately ...
Page 267
Magnitude is undoubtedly a real property of bodies , not less than figure , and
more than colour . Figure and colour , even in the same body , produce separate
emotions , which are never misapprehended one for the other . Why Thould not ...
Magnitude is undoubtedly a real property of bodies , not less than figure , and
more than colour . Figure and colour , even in the same body , produce separate
emotions , which are never misapprehended one for the other . Why Thould not ...
What people are saying - Write a review
We haven't found any reviews in the usual places.
Other editions - View all
Common terms and phrases
action agreeable alſo appears arts beauty becauſe becomes betwixt body caſe cauſe circumſtances colour common connection conſidered courſe delightful deſire directed diſagreeable diſtinguiſhed diſtreſs effect elevation emotion equally event example exerted external extremely fame feeling felt figure fion firſt force former give grandeur gratification hand hath Hence human ideas imagination impreſſion influence inſtances itſelf ject kind latter leſs light manner means meaſure ment mind moſt motion move muſt nature never novelty object obſervation occaſion oppoſite painful particular paſſion perceive perceptions perſon pity pleaſant pleaſure preſent principle proceed produce proper proportion qualities raiſed reaſon reflection regularity relation reliſh remarkable requires reſemblance reſpect rule ſame ſcarce ſenſe ſenſible ſhall ſhould ſimilar ſingle ſome ſpectator ſtill ſubject ſucceſſion ſuch ſurpriſe taſte termed theſe thing thoſe thought tion train uniformity variety whole wonder