Elements of Criticism, Volume 1Johnson Reprint Corporation, 1967 - Criticism |
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Page 129
... felt , not as a quality of the garden , but of the emotion produced by it . I give an oppofite example . A rot- ten ... felt as exifting within us . But a paffion or emotion , befide being felt , is frequently made an object of thought ...
... felt , not as a quality of the garden , but of the emotion produced by it . I give an oppofite example . A rot- ten ... felt as exifting within us . But a paffion or emotion , befide being felt , is frequently made an object of thought ...
Page 140
... felt ftrong and moderate , in a pretty quick fucceffion . The fame object makes not always the fame impref- fion ; because the mind , being of a limited capacity , cannot , at the fame inftant , give great attention to a plurality of ...
... felt ftrong and moderate , in a pretty quick fucceffion . The fame object makes not always the fame impref- fion ; because the mind , being of a limited capacity , cannot , at the fame inftant , give great attention to a plurality of ...
Page 157
... felt like one com- plex emotion . But the pleasure of harmo- ny , is not felt from one emotion fingle or complex . It is felt from various fimilar e- motions , diftinct from each other , and yet fweetly combining in the mind ; and the ...
... felt like one com- plex emotion . But the pleasure of harmo- ny , is not felt from one emotion fingle or complex . It is felt from various fimilar e- motions , diftinct from each other , and yet fweetly combining in the mind ; and the ...
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Common terms and phrases
action Æneid againſt agreeable alfo alſo anger appears arts beauty becauſe betwixt Cæfar cafe caufe cauſe circumſtances compariſon confideration confidered connection contraft courſe criticiſm defcribing defire deſcription diftrefs diſagreeable diſcover diſtinct diſtinguiſhed diſtreſs effect emotion raiſed emotions and paffions exerciſe exiſtence faid fame feeling fenfe fenfible fhall fight fimilar fingle fingular fion firſt focial fome fometimes foon ftill fubject fublime fucceffion fuch fufficient grandeur gratification happineſs hath himſelf Iago ideal prefence ideas impreffion inftances intereſting itſelf ject lefs leſs meaſure ment mind moſt motion mufic muſt myſelf nature neceffary obfervation object occafion oppofite Othello paffing painful emotion paſ paſt perceive perceptions perfon pity pleaſant emotion pleaſure preſent produce produceth puniſh purpoſes qualities reaſon reflection reliſh remarkable reſemblance ſcarce ſelfiſh ſenſe ſeparate Shakeſpear ſhall ſhould ſmall ſome ſpectator ſtill ſtrong ſuch ſurpriſe taſte thefe theſe thing thoſe tion uſe variety