Elements of Criticism, Volume 1Johnson Reprint Corporation, 1967 - Criticism |
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Page 54
... feeling . If this feeling vanish without producing any effect , it is in proper language an emotion . But if fuch feeling , by reiterated views of the object , become fufficiently ftrong to raise defire , it is no longer termed an ...
... feeling . If this feeling vanish without producing any effect , it is in proper language an emotion . But if fuch feeling , by reiterated views of the object , become fufficiently ftrong to raise defire , it is no longer termed an ...
Page 70
... feeling and its nature will be best understood from examples . A fig- nal act of gratitude , produceth in the specta- tor love or efteem for the author . The fpectator hath at the fame time a separate feeling ; which , being mixed with ...
... feeling and its nature will be best understood from examples . A fig- nal act of gratitude , produceth in the specta- tor love or efteem for the author . The fpectator hath at the fame time a separate feeling ; which , being mixed with ...
Page 217
... feelings that resemble it . Sluggish motion , for example , causeth a languid unpleasant feeling ; flow uniform motion , a feeling calm and pleasant ; and brifk motion , a lively feeling that rouses the spirits and pro- motes activity ...
... feelings that resemble it . Sluggish motion , for example , causeth a languid unpleasant feeling ; flow uniform motion , a feeling calm and pleasant ; and brifk motion , a lively feeling that rouses the spirits and pro- motes activity ...
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Common terms and phrases
action Æneid againſt agreeable alfo alſo anger appears arts beauty becauſe betwixt Cæfar cafe caufe cauſe circumſtances compariſon confideration confidered connection contraft courſe criticiſm defcribing defire deſcription diftrefs diſagreeable diſcover diſtinct diſtinguiſhed diſtreſs effect emotion raiſed emotions and paffions exerciſe exiſtence faid fame feeling fenfe fenfible fhall fight fimilar fingle fingular fion firſt focial fome fometimes foon ftill fubject fublime fucceffion fuch fufficient grandeur gratification happineſs hath himſelf Iago ideal prefence ideas impreffion inftances intereſting itſelf ject lefs leſs meaſure ment mind moſt motion mufic muſt myſelf nature neceffary obfervation object occafion oppofite Othello paffing painful emotion paſ paſt perceive perceptions perfon pity pleaſant emotion pleaſure preſent produce produceth puniſh purpoſes qualities reaſon reflection reliſh remarkable reſemblance ſcarce ſelfiſh ſenſe ſeparate Shakeſpear ſhall ſhould ſmall ſome ſpectator ſtill ſtrong ſuch ſurpriſe taſte thefe theſe thing thoſe tion uſe variety