Elements of Criticism, Volume 1Johnson Reprint Corporation, 1967 - Criticism |
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Page 142
... fame . A paffion alfo is always rec- koned the fame , fo long as it is fixed upon the fame object . Thus love and hatred may continue the fame for life . Nay , fo loose are we in this way of thinking , that many paffions are reckoned the ...
... fame . A paffion alfo is always rec- koned the fame , fo long as it is fixed upon the fame object . Thus love and hatred may continue the fame for life . Nay , fo loose are we in this way of thinking , that many paffions are reckoned the ...
Page 171
... fame ten- dency , must be fimilar . They accordingly readily unite , and in conjunction have dou- ble force ; which must hold whether the two paffions have the fame or different cau- fes . This is verified by experience ; from which we ...
... fame ten- dency , must be fimilar . They accordingly readily unite , and in conjunction have dou- ble force ; which must hold whether the two paffions have the fame or different cau- fes . This is verified by experience ; from which we ...
Page 416
... fame object , nor at the fame time . It is however true , that the pleasures they afford , being happily adjusted to each other , and readily mixing in intimate union , are frequently produced in perfection by the fame individual object ...
... fame object , nor at the fame time . It is however true , that the pleasures they afford , being happily adjusted to each other , and readily mixing in intimate union , are frequently produced in perfection by the fame individual object ...
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Common terms and phrases
action Æneid againſt agreeable alfo alſo anger appears arts beauty becauſe betwixt Cæfar cafe caufe cauſe circumſtances compariſon confideration confidered connection contraft courſe criticiſm defcribing defire deſcription diftrefs diſagreeable diſcover diſtinct diſtinguiſhed diſtreſs effect emotion raiſed emotions and paffions exerciſe exiſtence faid fame feeling fenfe fenfible fhall fight fimilar fingle fingular fion firſt focial fome fometimes foon ftill fubject fublime fucceffion fuch fufficient grandeur gratification happineſs hath himſelf Iago ideal prefence ideas impreffion inftances intereſting itſelf ject lefs leſs meaſure ment mind moſt motion mufic muſt myſelf nature neceffary obfervation object occafion oppofite Othello paffing painful emotion paſ paſt perceive perceptions perfon pity pleaſant emotion pleaſure preſent produce produceth puniſh purpoſes qualities reaſon reflection reliſh remarkable reſemblance ſcarce ſelfiſh ſenſe ſeparate Shakeſpear ſhall ſhould ſmall ſome ſpectator ſtill ſtrong ſuch ſurpriſe taſte thefe theſe thing thoſe tion uſe variety