Elements of Criticism, Volume 1 |
From inside the book
Results 1-3 of 33
Page 38
I must observe at the same time , that full justice is done to this incident , by
considering it to be an episode ; for if it be a constituent part of the principal action
, the connection ought to be still more intimate . The fame objection lies against
that ...
I must observe at the same time , that full justice is done to this incident , by
considering it to be an episode ; for if it be a constituent part of the principal action
, the connection ought to be still more intimate . The fame objection lies against
that ...
Page 267
There is indeed an obscurity in this matter , occasioned by the following
circumftance , that the grandeur and beauty of the LI 2 fame fame object mix so
intimately as scarce to be distinguished Ch . IV . GRANDEUR AND SUBLIMITY .
267.
There is indeed an obscurity in this matter , occasioned by the following
circumftance , that the grandeur and beauty of the LI 2 fame fame object mix so
intimately as scarce to be distinguished Ch . IV . GRANDEUR AND SUBLIMITY .
267.
Page 395
He complains neither of too great labour nor of too little action ; but regrets the
want of variety , and his being obliged to do the fame thing over and over . Where
the ou peration is sufficiently varied , the mind retains its vigor , and is pleased ...
He complains neither of too great labour nor of too little action ; but regrets the
want of variety , and his being obliged to do the fame thing over and over . Where
the ou peration is sufficiently varied , the mind retains its vigor , and is pleased ...
What people are saying - Write a review
We haven't found any reviews in the usual places.
Other editions - View all
Common terms and phrases
action agreeable alſo appears arts beauty becauſe becomes betwixt body caſe cauſe circumſtances colour common connection conſidered courſe delightful deſire directed diſagreeable diſtinguiſhed diſtreſs effect elevation emotion equally event example exerted external extremely fame feeling felt figure fion firſt force former give grandeur gratification hand hath Hence human ideas imagination impreſſion influence inſtances itſelf ject kind latter leſs light manner means meaſure ment mind moſt motion move muſt nature never novelty object obſervation occaſion oppoſite painful particular paſſion perceive perceptions perſon pity pleaſant pleaſure preſent principle proceed produce proper proportion qualities raiſed reaſon reflection regularity relation reliſh remarkable requires reſemblance reſpect rule ſame ſcarce ſenſe ſenſible ſhall ſhould ſimilar ſingle ſome ſpectator ſtill ſubject ſucceſſion ſuch ſurpriſe taſte termed theſe thing thoſe thought tion train uniformity variety whole wonder