Elements of Criticism, Volume 1Johnson Reprint Corporation, 1967 - Criticism |
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Page 156
... extremely pleasant . And this multiplied effect is felt from objects even of different fenses ; as where a landscape is conjoined with the mufic of birds and odor of flowers . Such multiplied effect , as above hinted , de- pends partly ...
... extremely pleasant . And this multiplied effect is felt from objects even of different fenses ; as where a landscape is conjoined with the mufic of birds and odor of flowers . Such multiplied effect , as above hinted , de- pends partly ...
Page 358
... extremely little , and the other extremely large . The emotion of furprise arifing from any unusual resemblance , serves e- qually to explain why at first view we are apt to think fuch resemblance more entire than it is in reality . And ...
... extremely little , and the other extremely large . The emotion of furprise arifing from any unusual resemblance , serves e- qually to explain why at first view we are apt to think fuch resemblance more entire than it is in reality . And ...
Page 416
... extremely remarkable . The oppofition betwixt va- riety and uniformity is fo great , that one would not readily imagine they could both be relished by the fame palate ; at least not in the fame object , nor at the fame time . It is ...
... extremely remarkable . The oppofition betwixt va- riety and uniformity is fo great , that one would not readily imagine they could both be relished by the fame palate ; at least not in the fame object , nor at the fame time . It is ...
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Common terms and phrases
action Æneid againſt agreeable alfo alſo anger appears arts beauty becauſe betwixt Cæfar cafe caufe cauſe circumſtances compariſon confideration confidered connection contraft courſe criticiſm defcribing defire deſcription diftrefs diſagreeable diſcover diſtinct diſtinguiſhed diſtreſs effect emotion raiſed emotions and paffions exerciſe exiſtence faid fame feeling fenfe fenfible fhall fight fimilar fingle fingular fion firſt focial fome fometimes foon ftill fubject fublime fucceffion fuch fufficient grandeur gratification happineſs hath himſelf Iago ideal prefence ideas impreffion inftances intereſting itſelf ject lefs leſs meaſure ment mind moſt motion mufic muſt myſelf nature neceffary obfervation object occafion oppofite Othello paffing painful emotion paſ paſt perceive perceptions perfon pity pleaſant emotion pleaſure preſent produce produceth puniſh purpoſes qualities reaſon reflection reliſh remarkable reſemblance ſcarce ſelfiſh ſenſe ſeparate Shakeſpear ſhall ſhould ſmall ſome ſpectator ſtill ſtrong ſuch ſurpriſe taſte thefe theſe thing thoſe tion uſe variety