Elements of Criticism, Volume 1Johnson Reprint Corporation, 1967 - Criticism |
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Page 47
... external objects , we are instantaneously conscious of pleasure or pain . A flowing river , a smooth extend- ed plain , a spreading oak , a towering hill , are objects of fight that raise pleasant emo- tions . A barren heath , a dirty ...
... external objects , we are instantaneously conscious of pleasure or pain . A flowing river , a smooth extend- ed plain , a spreading oak , a towering hill , are objects of fight that raise pleasant emo- tions . A barren heath , a dirty ...
Page 75
... externally . And every exercise of virtue , internal and external , leads to habit ; for a difpofition or propensity of the mind , like a limb of the body , becomes stronger by exercife . Proper means , at the fame time , being ever at ...
... externally . And every exercise of virtue , internal and external , leads to habit ; for a difpofition or propensity of the mind , like a limb of the body , becomes stronger by exercife . Proper means , at the fame time , being ever at ...
Page 97
... external figns of anger , will be handled in the chapter of the external figns of emotions and paffions . Fear provides for felf - prefervation by fly- VOL . I. N ing ing from harm ; anger , by repelling it . Part I. EMOTIONS AND ...
... external figns of anger , will be handled in the chapter of the external figns of emotions and paffions . Fear provides for felf - prefervation by fly- VOL . I. N ing ing from harm ; anger , by repelling it . Part I. EMOTIONS AND ...
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Common terms and phrases
action Æneid againſt agreeable alfo alſo anger appears arts beauty becauſe betwixt Cæfar cafe caufe cauſe circumſtances compariſon confideration confidered connection contraft courſe criticiſm defcribing defire deſcription diftrefs diſagreeable diſcover diſtinct diſtinguiſhed diſtreſs effect emotion raiſed emotions and paffions exerciſe exiſtence faid fame feeling fenfe fenfible fhall fight fimilar fingle fingular fion firſt focial fome fometimes foon ftill fubject fublime fucceffion fuch fufficient grandeur gratification happineſs hath himſelf Iago ideal prefence ideas impreffion inftances intereſting itſelf ject lefs leſs meaſure ment mind moſt motion mufic muſt myſelf nature neceffary obfervation object occafion oppofite Othello paffing painful emotion paſ paſt perceive perceptions perfon pity pleaſant emotion pleaſure preſent produce produceth puniſh purpoſes qualities reaſon reflection reliſh remarkable reſemblance ſcarce ſelfiſh ſenſe ſeparate Shakeſpear ſhall ſhould ſmall ſome ſpectator ſtill ſtrong ſuch ſurpriſe taſte thefe theſe thing thoſe tion uſe variety