Elements of Criticism, Volume 1Johnson Reprint Corporation, 1967 - Criticism |
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Page 21
... exert the power . If the queftion cannot be answered , I next demand , how it is poffible that a voluntary power can be exerted without any view of an object to exert it upon ? We learn from daily experience , that a train of thought ...
... exert the power . If the queftion cannot be answered , I next demand , how it is poffible that a voluntary power can be exerted without any view of an object to exert it upon ? We learn from daily experience , that a train of thought ...
Page 60
... exert actions in order for the good of another . The motive is that which determines a paffion to be focial or felfifh ... exerted with a view to gra- tification tification and in order to make me happy , it 60 EMOTIONS AND PASSIONS . Ch ...
... exert actions in order for the good of another . The motive is that which determines a paffion to be focial or felfifh ... exerted with a view to gra- tification tification and in order to make me happy , it 60 EMOTIONS AND PASSIONS . Ch ...
Page 218
Lord Henry Home Kames. cause . When force is exerted with any ef- fort , the fpectator feels a fimilar effort as of force exerted within his mind . A large object fwells the heart . An elevated object makes the spectator ftand erect ...
Lord Henry Home Kames. cause . When force is exerted with any ef- fort , the fpectator feels a fimilar effort as of force exerted within his mind . A large object fwells the heart . An elevated object makes the spectator ftand erect ...
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Common terms and phrases
action Æneid againſt agreeable alfo alſo anger appears arts beauty becauſe betwixt Cæfar cafe caufe cauſe circumſtances compariſon confideration confidered connection contraft courſe criticiſm defcribing defire deſcription diftrefs diſagreeable diſcover diſtinct diſtinguiſhed diſtreſs effect emotion raiſed emotions and paffions exerciſe exiſtence faid fame feeling fenfe fenfible fhall fight fimilar fingle fingular fion firſt focial fome fometimes foon ftill fubject fublime fucceffion fuch fufficient grandeur gratification happineſs hath himſelf Iago ideal prefence ideas impreffion inftances intereſting itſelf ject lefs leſs meaſure ment mind moſt motion mufic muſt myſelf nature neceffary obfervation object occafion oppofite Othello paffing painful emotion paſ paſt perceive perceptions perfon pity pleaſant emotion pleaſure preſent produce produceth puniſh purpoſes qualities reaſon reflection reliſh remarkable reſemblance ſcarce ſelfiſh ſenſe ſeparate Shakeſpear ſhall ſhould ſmall ſome ſpectator ſtill ſtrong ſuch ſurpriſe taſte thefe theſe thing thoſe tion uſe variety