Elements of Criticism, Volume 1Johnson Reprint Corporation, 1967 - Criticism |
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Page 134
... equally painful and difagreeable . The foregoing distinctions among pas- fions and emotions , may serve the common affairs of life , but they are not fufficient for the critical art . The qualities of pleasant and painful are too ...
... equally painful and difagreeable . The foregoing distinctions among pas- fions and emotions , may serve the common affairs of life , but they are not fufficient for the critical art . The qualities of pleasant and painful are too ...
Page 276
... equally ac- counts for the terms grandeur and fublimity taken in a figurative fenfe . Every emotion , from whatever caufe proceeding , that re- fembles an emotion of grandeur or eleva- tion , is called by the fame name . generofity is ...
... equally ac- counts for the terms grandeur and fublimity taken in a figurative fenfe . Every emotion , from whatever caufe proceeding , that re- fembles an emotion of grandeur or eleva- tion , is called by the fame name . generofity is ...
Page 399
... equally painful , though the pain is not the fame in both . Many are the good effects of this contrivance . In the first place , as the bodily faculties are by certain painful fenfations confined within proper limits , be- yond which it ...
... equally painful , though the pain is not the fame in both . Many are the good effects of this contrivance . In the first place , as the bodily faculties are by certain painful fenfations confined within proper limits , be- yond which it ...
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Common terms and phrases
action Æneid againſt agreeable alfo alſo anger appears arts beauty becauſe betwixt Cæfar cafe caufe cauſe circumſtances compariſon confideration confidered connection contraft courſe criticiſm defcribing defire deſcription diftrefs diſagreeable diſcover diſtinct diſtinguiſhed diſtreſs effect emotion raiſed emotions and paffions exerciſe exiſtence faid fame feeling fenfe fenfible fhall fight fimilar fingle fingular fion firſt focial fome fometimes foon ftill fubject fublime fucceffion fuch fufficient grandeur gratification happineſs hath himſelf Iago ideal prefence ideas impreffion inftances intereſting itſelf ject lefs leſs meaſure ment mind moſt motion mufic muſt myſelf nature neceffary obfervation object occafion oppofite Othello paffing painful emotion paſ paſt perceive perceptions perfon pity pleaſant emotion pleaſure preſent produce produceth puniſh purpoſes qualities reaſon reflection reliſh remarkable reſemblance ſcarce ſelfiſh ſenſe ſeparate Shakeſpear ſhall ſhould ſmall ſome ſpectator ſtill ſtrong ſuch ſurpriſe taſte thefe theſe thing thoſe tion uſe variety