Elements of Criticism, Volume 1Johnson Reprint Corporation, 1967 - Criticism |
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Page 49
... emotion that ariseth from contemplating human actions , is of a pecu- liar kind . Human actions are perceived to be ... emotions raised in us by the qualities Part I. EMOTIONS AND PASSIONS . 49.
... emotion that ariseth from contemplating human actions , is of a pecu- liar kind . Human actions are perceived to be ... emotions raised in us by the qualities Part I. EMOTIONS AND PASSIONS . 49.
Page 52
... emotion produced in a spectator by a capital picture in the poffeffion of a prince , feldom raiseth defire . But if such a picture be ex- pofed to fale , defire of having or poffeffing is the natural confequence of the emotion . If now ...
... emotion produced in a spectator by a capital picture in the poffeffion of a prince , feldom raiseth defire . But if such a picture be ex- pofed to fale , defire of having or poffeffing is the natural confequence of the emotion . If now ...
Page 152
... emotion than two emotions in conjunction . Two founds , again , that refufe incorporation or mixture , are faid to be discordant . Being however heard at the fame inftant , the emotions produced by them are conjoined ; and in that condi ...
... emotion than two emotions in conjunction . Two founds , again , that refufe incorporation or mixture , are faid to be discordant . Being however heard at the fame inftant , the emotions produced by them are conjoined ; and in that condi ...
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Common terms and phrases
action Æneid againſt agreeable alfo alſo anger appears arts beauty becauſe betwixt Cæfar cafe caufe cauſe circumſtances compariſon confideration confidered connection contraft courſe criticiſm defcribing defire deſcription diftrefs diſagreeable diſcover diſtinct diſtinguiſhed diſtreſs effect emotion raiſed emotions and paffions exerciſe exiſtence faid fame feeling fenfe fenfible fhall fight fimilar fingle fingular fion firſt focial fome fometimes foon ftill fubject fublime fucceffion fuch fufficient grandeur gratification happineſs hath himſelf Iago ideal prefence ideas impreffion inftances intereſting itſelf ject lefs leſs meaſure ment mind moſt motion mufic muſt myſelf nature neceffary obfervation object occafion oppofite Othello paffing painful emotion paſ paſt perceive perceptions perfon pity pleaſant emotion pleaſure preſent produce produceth puniſh purpoſes qualities reaſon reflection reliſh remarkable reſemblance ſcarce ſelfiſh ſenſe ſeparate Shakeſpear ſhall ſhould ſmall ſome ſpectator ſtill ſtrong ſuch ſurpriſe taſte thefe theſe thing thoſe tion uſe variety