Elements of Criticism, Volume 1Johnson Reprint Corporation, 1967 - Criticism |
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Page 156
... effect is felt from objects even of different fenses ; as where a landscape is conjoined with the mufic of birds and odor of flowers . Such multiplied effect , as above hinted , de- pends partly on the refemblance of the e- motions and ...
... effect is felt from objects even of different fenses ; as where a landscape is conjoined with the mufic of birds and odor of flowers . Such multiplied effect , as above hinted , de- pends partly on the refemblance of the e- motions and ...
Page 268
... effect ; and we feel no fuch effect in contracting the mind upon little objects . This may be illuftrated by considering grandeur in an e- nemy . Beauty is an agreeable quality , whether in a friend or enemy ; and when the emotion it ...
... effect ; and we feel no fuch effect in contracting the mind upon little objects . This may be illuftrated by considering grandeur in an e- nemy . Beauty is an agreeable quality , whether in a friend or enemy ; and when the emotion it ...
Page 364
... effect is produced upon the principal fubject , which by this means is elevated above its rank or depreffed below it . In accounting for the effect that any un- ufual refemblance or contraft has upon the mind , I have hitherto affigned ...
... effect is produced upon the principal fubject , which by this means is elevated above its rank or depreffed below it . In accounting for the effect that any un- ufual refemblance or contraft has upon the mind , I have hitherto affigned ...
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Common terms and phrases
action Æneid againſt agreeable alfo alſo anger appears arts beauty becauſe betwixt Cæfar cafe caufe cauſe circumſtances compariſon confideration confidered connection contraft courſe criticiſm defcribing defire deſcription diftrefs diſagreeable diſcover diſtinct diſtinguiſhed diſtreſs effect emotion raiſed emotions and paffions exerciſe exiſtence faid fame feeling fenfe fenfible fhall fight fimilar fingle fingular fion firſt focial fome fometimes foon ftill fubject fublime fucceffion fuch fufficient grandeur gratification happineſs hath himſelf Iago ideal prefence ideas impreffion inftances intereſting itſelf ject lefs leſs meaſure ment mind moſt motion mufic muſt myſelf nature neceffary obfervation object occafion oppofite Othello paffing painful emotion paſ paſt perceive perceptions perfon pity pleaſant emotion pleaſure preſent produce produceth puniſh purpoſes qualities reaſon reflection reliſh remarkable reſemblance ſcarce ſelfiſh ſenſe ſeparate Shakeſpear ſhall ſhould ſmall ſome ſpectator ſtill ſtrong ſuch ſurpriſe taſte thefe theſe thing thoſe tion uſe variety