Elements of Criticism, Volume 1Johnson Reprint Corporation, 1967 - Criticism |
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Page 16
... distinguished from the useful arts . In order then to be a critic in the fine arts , it is neceffary , as above hinted , to know what objects are naturally agreeable , and what naturally disagreeable . A complete treatise on that ...
... distinguished from the useful arts . In order then to be a critic in the fine arts , it is neceffary , as above hinted , to know what objects are naturally agreeable , and what naturally disagreeable . A complete treatise on that ...
Page 108
... distinguished from the former by the follow- ing circumftance . Ideal prefence arising from an act of memory , may properly be termed a waking dream ; because , like a dream , it vanisheth upon the first reflection of our present ...
... distinguished from the former by the follow- ing circumftance . Ideal prefence arising from an act of memory , may properly be termed a waking dream ; because , like a dream , it vanisheth upon the first reflection of our present ...
Page 338
... distinguished from others . Nor is this a fingular cafe . Upon a review , we find the fame difficulty in most of the articles already handled . There is nothing more eafy , viewing a particular object , than to pronounce that it is ...
... distinguished from others . Nor is this a fingular cafe . Upon a review , we find the fame difficulty in most of the articles already handled . There is nothing more eafy , viewing a particular object , than to pronounce that it is ...
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Common terms and phrases
action Æneid againſt agreeable alfo alſo anger appears arts beauty becauſe betwixt Cæfar cafe caufe cauſe circumſtances compariſon confideration confidered connection contraft courſe criticiſm defcribing defire deſcription diftrefs diſagreeable diſcover diſtinct diſtinguiſhed diſtreſs effect emotion raiſed emotions and paffions exerciſe exiſtence faid fame feeling fenfe fenfible fhall fight fimilar fingle fingular fion firſt focial fome fometimes foon ftill fubject fublime fucceffion fuch fufficient grandeur gratification happineſs hath himſelf Iago ideal prefence ideas impreffion inftances intereſting itſelf ject lefs leſs meaſure ment mind moſt motion mufic muſt myſelf nature neceffary obfervation object occafion oppofite Othello paffing painful emotion paſ paſt perceive perceptions perfon pity pleaſant emotion pleaſure preſent produce produceth puniſh purpoſes qualities reaſon reflection reliſh remarkable reſemblance ſcarce ſelfiſh ſenſe ſeparate Shakeſpear ſhall ſhould ſmall ſome ſpectator ſtill ſtrong ſuch ſurpriſe taſte thefe theſe thing thoſe tion uſe variety