Elements of Criticism, Volume 1Johnson Reprint Corporation, 1967 - Criticism |
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Page 23
... connected by resemblance , fome by contraft ; fome go before , fome follow . Not a fingle thing appears foli- tary , and altogether devoid of connection . The only difference is , that fome are inti- mately connected , fome more ...
... connected by resemblance , fome by contraft ; fome go before , fome follow . Not a fingle thing appears foli- tary , and altogether devoid of connection . The only difference is , that fome are inti- mately connected , fome more ...
Page 24
... connections . Among these a choice is af- forded . We can infift upon one , rejecting others ; and we can even infift upon what has the flightest connection . Where ideas are left to their natural course , they are ge- nerally continued ...
... connections . Among these a choice is af- forded . We can infift upon one , rejecting others ; and we can even infift upon what has the flightest connection . Where ideas are left to their natural course , they are ge- nerally continued ...
Page 37
... connection . The two prefaces of Salluft look as if they had been prefixed by fome blunder to his two hiftories . They will fuit any other history as well , or any subject as well as history . Even the members of these prefaces are but ...
... connection . The two prefaces of Salluft look as if they had been prefixed by fome blunder to his two hiftories . They will fuit any other history as well , or any subject as well as history . Even the members of these prefaces are but ...
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Common terms and phrases
action Æneid againſt agreeable alfo alſo anger appears arts beauty becauſe betwixt Cæfar cafe caufe cauſe circumſtances compariſon confideration confidered connection contraft courſe criticiſm defcribing defire deſcription diftrefs diſagreeable diſcover diſtinct diſtinguiſhed diſtreſs effect emotion raiſed emotions and paffions exerciſe exiſtence faid fame feeling fenfe fenfible fhall fight fimilar fingle fingular fion firſt focial fome fometimes foon ftill fubject fublime fucceffion fuch fufficient grandeur gratification happineſs hath himſelf Iago ideal prefence ideas impreffion inftances intereſting itſelf ject lefs leſs meaſure ment mind moſt motion mufic muſt myſelf nature neceffary obfervation object occafion oppofite Othello paffing painful emotion paſ paſt perceive perceptions perfon pity pleaſant emotion pleaſure preſent produce produceth puniſh purpoſes qualities reaſon reflection reliſh remarkable reſemblance ſcarce ſelfiſh ſenſe ſeparate Shakeſpear ſhall ſhould ſmall ſome ſpectator ſtill ſtrong ſuch ſurpriſe taſte thefe theſe thing thoſe tion uſe variety