Elements of Criticism, Volume 1Johnson Reprint Corporation, 1967 - Criticism |
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Page 50
... colours , occafions a fenfible emotion , as well as when we fee That an abstract idea , which serves excellently the ... colour ftrictly speaking that produces the emotion , but the tree as coloured : it is not the figure abftractly ...
... colours , occafions a fenfible emotion , as well as when we fee That an abstract idea , which serves excellently the ... colour ftrictly speaking that produces the emotion , but the tree as coloured : it is not the figure abftractly ...
Page 243
... colour , figure , fize , and fometimes motion . By means of each of thefe particulars , feparately confidered , it ... colours , various motions , figure , fize , & c .; all u- niting in one complex perception , and stri- king the eye ...
... colour , figure , fize , and fometimes motion . By means of each of thefe particulars , feparately confidered , it ... colours , various motions , figure , fize , & c .; all u- niting in one complex perception , and stri- king the eye ...
Page 268
... colour comes in happily to enable us to make the diftinction . For the emotion of colour u- nites with that of figure , not lefs intimately than grandeur does with either . Yet the emotion of colour is diftinguishable from that of ...
... colour comes in happily to enable us to make the diftinction . For the emotion of colour u- nites with that of figure , not lefs intimately than grandeur does with either . Yet the emotion of colour is diftinguishable from that of ...
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Common terms and phrases
action Æneid againſt agreeable alfo alſo anger appears arts beauty becauſe betwixt Cæfar cafe caufe cauſe circumſtances compariſon confideration confidered connection contraft courſe criticiſm defcribing defire deſcription diftrefs diſagreeable diſcover diſtinct diſtinguiſhed diſtreſs effect emotion raiſed emotions and paffions exerciſe exiſtence faid fame feeling fenfe fenfible fhall fight fimilar fingle fingular fion firſt focial fome fometimes foon ftill fubject fublime fucceffion fuch fufficient grandeur gratification happineſs hath himſelf Iago ideal prefence ideas impreffion inftances intereſting itſelf ject lefs leſs meaſure ment mind moſt motion mufic muſt myſelf nature neceffary obfervation object occafion oppofite Othello paffing painful emotion paſ paſt perceive perceptions perfon pity pleaſant emotion pleaſure preſent produce produceth puniſh purpoſes qualities reaſon reflection reliſh remarkable reſemblance ſcarce ſelfiſh ſenſe ſeparate Shakeſpear ſhall ſhould ſmall ſome ſpectator ſtill ſtrong ſuch ſurpriſe taſte thefe theſe thing thoſe tion uſe variety