Elements of Criticism, Volume 1 |
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Page 50
A generous action described in words or colours , occasions a sensible emotion ,
as well as when we fee Thai an abstract idea , which serves ... Thus a spreading
oak raises a pleasant emotion , by means of its colour , figure , umbrage , & c .
A generous action described in words or colours , occasions a sensible emotion ,
as well as when we fee Thai an abstract idea , which serves ... Thus a spreading
oak raises a pleasant emotion , by means of its colour , figure , umbrage , & c .
Page 267
Magnitude is undoubtedly a real property of bodies , not less than figure , and
more than colour . Figure and colour , even in the same body , produce separate
emotions , which are never misapprehended one for the other . Why Thould not ...
Magnitude is undoubtedly a real property of bodies , not less than figure , and
more than colour . Figure and colour , even in the same body , produce separate
emotions , which are never misapprehended one for the other . Why Thould not ...
Page 268
But the beauty of colour comes in happily to enable us to make the distinction .
For the emotion of colour unites with that of figure , not less intimately than
grandeur does with either . Yet the emotion of colour is distinguishable from that
of figure ...
But the beauty of colour comes in happily to enable us to make the distinction .
For the emotion of colour unites with that of figure , not less intimately than
grandeur does with either . Yet the emotion of colour is distinguishable from that
of figure ...
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Common terms and phrases
action agreeable alſo appears arts beauty becauſe becomes betwixt body caſe cauſe circumſtances colour common connection conſidered courſe delightful deſire directed diſagreeable diſtinguiſhed diſtreſs effect elevation emotion equally event example exerted external extremely fame feeling felt figure fion firſt force former give grandeur gratification hand hath Hence human ideas imagination impreſſion influence inſtances itſelf ject kind latter leſs light manner means meaſure ment mind moſt motion move muſt nature never novelty object obſervation occaſion oppoſite painful particular paſſion perceive perceptions perſon pity pleaſant pleaſure preſent principle proceed produce proper proportion qualities raiſed reaſon reflection regularity relation reliſh remarkable requires reſemblance reſpect rule ſame ſcarce ſenſe ſenſible ſhall ſhould ſimilar ſingle ſome ſpectator ſtill ſubject ſucceſſion ſuch ſurpriſe taſte termed theſe thing thoſe thought tion train uniformity variety whole wonder