Elements of Criticism, Volume 1 |
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Page 288
What I have said suggests a capital rule for reaching the sublime in such works of
art as are susceptible of it ; and that is , to put in view those parts or
circumstances only which make the greatest figure , keeping out of sight every
thing that is ...
What I have said suggests a capital rule for reaching the sublime in such works of
art as are susceptible of it ; and that is , to put in view those parts or
circumstances only which make the greatest figure , keeping out of sight every
thing that is ...
Page 292
The speech of Clytemnestra , descending from her chariot in the sphigenia of
Euripides , beginning of act 3 . is stuffed with a number of low , common , and
trivial circumstances . But of all writers Lucan in this article is the most injudicious
.
The speech of Clytemnestra , descending from her chariot in the sphigenia of
Euripides , beginning of act 3 . is stuffed with a number of low , common , and
trivial circumstances . But of all writers Lucan in this article is the most injudicious
.
Page 329
Several circumstances concur to produce this effect . On the one hand , the
agitation of the mind and its keen attention , prepare it in the most effectual
manner for receiving a deep impression . On the other hand , the object by its
sudden and ...
Several circumstances concur to produce this effect . On the one hand , the
agitation of the mind and its keen attention , prepare it in the most effectual
manner for receiving a deep impression . On the other hand , the object by its
sudden and ...
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action agreeable alſo appears arts beauty becauſe becomes betwixt body caſe cauſe circumſtances colour common connection conſidered courſe delightful deſire directed diſagreeable diſtinguiſhed diſtreſs effect elevation emotion equally event example exerted external extremely fame feeling felt figure fion firſt force former give grandeur gratification hand hath Hence human ideas imagination impreſſion influence inſtances itſelf ject kind latter leſs light manner means meaſure ment mind moſt motion move muſt nature never novelty object obſervation occaſion oppoſite painful particular paſſion perceive perceptions perſon pity pleaſant pleaſure preſent principle proceed produce proper proportion qualities raiſed reaſon reflection regularity relation reliſh remarkable requires reſemblance reſpect rule ſame ſcarce ſenſe ſenſible ſhall ſhould ſimilar ſingle ſome ſpectator ſtill ſubject ſucceſſion ſuch ſurpriſe taſte termed theſe thing thoſe thought tion train uniformity variety whole wonder