Elements of Criticism, Volume 1Johnson Reprint Corporation, 1967 - Criticism |
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Page 29
... body in motion , we follow its natural courfe . The mind falls with a hea- vy body , defcends with a river , and afcends with flame and smoke . In tracing out a fa- with Ch . I. 29 IN A TRAIN .
... body in motion , we follow its natural courfe . The mind falls with a hea- vy body , defcends with a river , and afcends with flame and smoke . In tracing out a fa- with Ch . I. 29 IN A TRAIN .
Page 267
... bodies , not less than figure , and more than colour . Figure and colour , even in the fame body , produce separate emotions , which are ne- ver misapprehended one for the other . Why should not magnitude produce an emotion different ...
... bodies , not less than figure , and more than colour . Figure and colour , even in the fame body , produce separate emotions , which are ne- ver misapprehended one for the other . Why should not magnitude produce an emotion different ...
Page 412
... body ; as well as the intestinal canal , which fills the whole cavity by its convo- lutions . The mechanical power of nature , not confined to small bodies , reacheth equally those of the greatest size ; witness the bodies that compose ...
... body ; as well as the intestinal canal , which fills the whole cavity by its convo- lutions . The mechanical power of nature , not confined to small bodies , reacheth equally those of the greatest size ; witness the bodies that compose ...
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Common terms and phrases
action Æneid againſt agreeable alfo alſo anger appears arts beauty becauſe betwixt Cæfar cafe caufe cauſe circumſtances compariſon confideration confidered connection contraft courſe criticiſm defcribing defire deſcription diftrefs diſagreeable diſcover diſtinct diſtinguiſhed diſtreſs effect emotion raiſed emotions and paffions exerciſe exiſtence faid fame feeling fenfe fenfible fhall fight fimilar fingle fingular fion firſt focial fome fometimes foon ftill fubject fublime fucceffion fuch fufficient grandeur gratification happineſs hath himſelf Iago ideal prefence ideas impreffion inftances intereſting itſelf ject lefs leſs meaſure ment mind moſt motion mufic muſt myſelf nature neceffary obfervation object occafion oppofite Othello paffing painful emotion paſ paſt perceive perceptions perfon pity pleaſant emotion pleaſure preſent produce produceth puniſh purpoſes qualities reaſon reflection reliſh remarkable reſemblance ſcarce ſelfiſh ſenſe ſeparate Shakeſpear ſhall ſhould ſmall ſome ſpectator ſtill ſtrong ſuch ſurpriſe taſte thefe theſe thing thoſe tion uſe variety