Elements of Criticism, Volume 1 |
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Page 146
Aversion , again , becomes fear when there is a prospect of good fortune to my
enemy ; becomes hope when he is in danger ; becomes joy when he is in
distress ; and forrow when a laudable action is performed by him . Fourthly , the
growth of ...
Aversion , again , becomes fear when there is a prospect of good fortune to my
enemy ; becomes hope when he is in danger ; becomes joy when he is in
distress ; and forrow when a laudable action is performed by him . Fourthly , the
growth of ...
Page 310
It becomes painful , by forcibly accelerating the course of our perceptions . Slow
continued motion becomes disagreeable for an opposite reason , that it retards
the natural course of our perceptions . There are other varieties in motion , befide
...
It becomes painful , by forcibly accelerating the course of our perceptions . Slow
continued motion becomes disagreeable for an opposite reason , that it retards
the natural course of our perceptions . There are other varieties in motion , befide
...
Page 393
mity is agreeable : but the frequent reiteration of uniform objects becomes
unpleasant . One tires of a scene that is not diversified : and soon feels a sort of
unnatural restraint when confined within a narrow range , whether occasioned by
a ...
mity is agreeable : but the frequent reiteration of uniform objects becomes
unpleasant . One tires of a scene that is not diversified : and soon feels a sort of
unnatural restraint when confined within a narrow range , whether occasioned by
a ...
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Common terms and phrases
action agreeable alſo appears arts beauty becauſe becomes betwixt body caſe cauſe circumſtances colour common connection conſidered courſe delightful deſire directed diſagreeable diſtinguiſhed diſtreſs effect elevation emotion equally event example exerted external extremely fame feeling felt figure fion firſt force former give grandeur gratification hand hath Hence human ideas imagination impreſſion influence inſtances itſelf ject kind latter leſs light manner means meaſure ment mind moſt motion move muſt nature never novelty object obſervation occaſion oppoſite painful particular paſſion perceive perceptions perſon pity pleaſant pleaſure preſent principle proceed produce proper proportion qualities raiſed reaſon reflection regularity relation reliſh remarkable requires reſemblance reſpect rule ſame ſcarce ſenſe ſenſible ſhall ſhould ſimilar ſingle ſome ſpectator ſtill ſubject ſucceſſion ſuch ſurpriſe taſte termed theſe thing thoſe thought tion train uniformity variety whole wonder