Elements of Criticism, Volume 1Johnson Reprint Corporation, 1967 - Criticism |
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Page 70
... because it involves defire ; and the latter it can scarce be , because it has no object . But this feeling and its nature will be best understood from examples . A fig- nal act of gratitude , produceth in the specta- tor love or efteem ...
... because it involves defire ; and the latter it can scarce be , because it has no object . But this feeling and its nature will be best understood from examples . A fig- nal act of gratitude , produceth in the specta- tor love or efteem ...
Page 155
... fame e- motions in fucceffion , are far from making the fame figure ; because the mind at no inftant U 2 inftant of the fucceffion is confcious of more than a Part IV . EMOTIONS AND PASSIONS . 155 Language of passion, 2 204.
... fame e- motions in fucceffion , are far from making the fame figure ; because the mind at no inftant U 2 inftant of the fucceffion is confcious of more than a Part IV . EMOTIONS AND PASSIONS . 155 Language of passion, 2 204.
Page 207
... because he cannot study ; and the other lives merrily , because he feels no pain : the one lack- ing the burden of lean and wasteful learning ; the other knowing no burthen of heavy tedious penu- ry . These Time ambles withal . Orla ...
... because he cannot study ; and the other lives merrily , because he feels no pain : the one lack- ing the burden of lean and wasteful learning ; the other knowing no burthen of heavy tedious penu- ry . These Time ambles withal . Orla ...
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Common terms and phrases
action Æneid againſt agreeable alfo alſo anger appears arts beauty becauſe betwixt Cæfar cafe caufe cauſe circumſtances compariſon confideration confidered connection contraft courſe criticiſm defcribing defire deſcription diftrefs diſagreeable diſcover diſtinct diſtinguiſhed diſtreſs effect emotion raiſed emotions and paffions exerciſe exiſtence faid fame feeling fenfe fenfible fhall fight fimilar fingle fingular fion firſt focial fome fometimes foon ftill fubject fublime fucceffion fuch fufficient grandeur gratification happineſs hath himſelf Iago ideal prefence ideas impreffion inftances intereſting itſelf ject lefs leſs meaſure ment mind moſt motion mufic muſt myſelf nature neceffary obfervation object occafion oppofite Othello paffing painful emotion paſ paſt perceive perceptions perfon pity pleaſant emotion pleaſure preſent produce produceth puniſh purpoſes qualities reaſon reflection reliſh remarkable reſemblance ſcarce ſelfiſh ſenſe ſeparate Shakeſpear ſhall ſhould ſmall ſome ſpectator ſtill ſtrong ſuch ſurpriſe taſte thefe theſe thing thoſe tion uſe variety