Elements of Criticism, Volume 1Johnson Reprint Corporation, 1967 - Criticism |
From inside the book
Results 1-3 of 58
Page 130
... agreeable or disagreeable . Hence clearly appear the different fignifica- tions of the terms under confideration , as applied to paffion . When a paffion is termed pleasant or painful , we refer to the actual feeling : when termed agreeable ...
... agreeable or disagreeable . Hence clearly appear the different fignifica- tions of the terms under confideration , as applied to paffion . When a paffion is termed pleasant or painful , we refer to the actual feeling : when termed agreeable ...
Page 132
... agreeable . By this general rule we can afcertain what emotions are agreeable what difagreeable . Every emotion that is conformable to the common nature of man , ought to appear agreeable . And that this holds true with respect to ...
... agreeable . By this general rule we can afcertain what emotions are agreeable what difagreeable . Every emotion that is conformable to the common nature of man , ought to appear agreeable . And that this holds true with respect to ...
Page 311
... agreeable . Motion uniformly accelerated , refem- bling an afcending feries of numbers , is more agreeable than when uniformly re- tarded . Motion upward is agreeable by the elevation of the moving body . What then shall we fay of ...
... agreeable . Motion uniformly accelerated , refem- bling an afcending feries of numbers , is more agreeable than when uniformly re- tarded . Motion upward is agreeable by the elevation of the moving body . What then shall we fay of ...
Other editions - View all
Common terms and phrases
action Æneid againſt agreeable alfo alſo anger appears arts beauty becauſe betwixt Cæfar cafe caufe cauſe circumſtances compariſon confideration confidered connection contraft courſe criticiſm defcribing defire deſcription diftrefs diſagreeable diſcover diſtinct diſtinguiſhed diſtreſs effect emotion raiſed emotions and paffions exerciſe exiſtence faid fame feeling fenfe fenfible fhall fight fimilar fingle fingular fion firſt focial fome fometimes foon ftill fubject fublime fucceffion fuch fufficient grandeur gratification happineſs hath himſelf Iago ideal prefence ideas impreffion inftances intereſting itſelf ject lefs leſs meaſure ment mind moſt motion mufic muſt myſelf nature neceffary obfervation object occafion oppofite Othello paffing painful emotion paſ paſt perceive perceptions perfon pity pleaſant emotion pleaſure preſent produce produceth puniſh purpoſes qualities reaſon reflection reliſh remarkable reſemblance ſcarce ſelfiſh ſenſe ſeparate Shakeſpear ſhall ſhould ſmall ſome ſpectator ſtill ſtrong ſuch ſurpriſe taſte thefe theſe thing thoſe tion uſe variety