Elements of Criticism, Volume 1Johnson Reprint Corporation, 1967 - Criticism |
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Page 82
... still lefs power . But if a paffion be raised by the principal object , the fecondary emotion may readily fwell into a paffion for the acceffory , provi- ded the acceffory be a proper object for de- fire . And thus it happens that one ...
... still lefs power . But if a paffion be raised by the principal object , the fecondary emotion may readily fwell into a paffion for the acceffory , provi- ded the acceffory be a proper object for de- fire . And thus it happens that one ...
Page 157
... still more delightful . We feel this harmony in the different emotions proceed- ing from the vifible objects ; but we feel it still more fenfibly in the emotions proceed- ing from the objects of different senses . This emotion of ...
... still more delightful . We feel this harmony in the different emotions proceed- ing from the vifible objects ; but we feel it still more fenfibly in the emotions proceed- ing from the objects of different senses . This emotion of ...
Page 307
... still , and was , behind the cloud The battle made , feen fweating to drive up His frighted horse , whom still the noise drove backward . Ibid . alt . 5 . Ofmyn . While we indulge our common happi- nefs , He is forgot by whom we all ...
... still , and was , behind the cloud The battle made , feen fweating to drive up His frighted horse , whom still the noise drove backward . Ibid . alt . 5 . Ofmyn . While we indulge our common happi- nefs , He is forgot by whom we all ...
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Common terms and phrases
action Æneid againſt agreeable alfo alſo anger appears arts beauty becauſe betwixt Cæfar cafe caufe cauſe circumſtances compariſon confideration confidered connection contraft courſe criticiſm defcribing defire deſcription diftrefs diſagreeable diſcover diſtinct diſtinguiſhed diſtreſs effect emotion raiſed emotions and paffions exerciſe exiſtence faid fame feeling fenfe fenfible fhall fight fimilar fingle fingular fion firſt focial fome fometimes foon ftill fubject fublime fucceffion fuch fufficient grandeur gratification happineſs hath himſelf Iago ideal prefence ideas impreffion inftances intereſting itſelf ject lefs leſs meaſure ment mind moſt motion mufic muſt myſelf nature neceffary obfervation object occafion oppofite Othello paffing painful emotion paſ paſt perceive perceptions perfon pity pleaſant emotion pleaſure preſent produce produceth puniſh purpoſes qualities reaſon reflection reliſh remarkable reſemblance ſcarce ſelfiſh ſenſe ſeparate Shakeſpear ſhall ſhould ſmall ſome ſpectator ſtill ſtrong ſuch ſurpriſe taſte thefe theſe thing thoſe tion uſe variety