Elements of Criticism, Volume 1Johnson Reprint Corporation, 1967 - Criticism |
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Page 108
... spectator , and as ex- ifting in my presence . This means not that I am really a spectator ; but only that I con- ceive myself to be a fpectator , and have a consciousness of presence fimilar to what a real spectator hath . As many ...
... spectator , and as ex- ifting in my presence . This means not that I am really a spectator ; but only that I con- ceive myself to be a fpectator , and have a consciousness of presence fimilar to what a real spectator hath . As many ...
Page 133
... spectator , and fo is the paffion that prompts it . Every ac- tion virtuous or proper is agreeable to a spec- tator , and fo is the passion that prompts it . This deduction may be carried a great way farther ; but to avoid intricacy and ...
... spectator , and fo is the paffion that prompts it . Every ac- tion virtuous or proper is agreeable to a spec- tator , and fo is the passion that prompts it . This deduction may be carried a great way farther ; but to avoid intricacy and ...
Page 221
... spectator to anger in any degree * . Covetoufness , cruelty , treachery , and other vicious paffions , are fo far from raifing any emotion fimilar to themselves , to incite a spectator to imitation , that they have an oppofite effect ...
... spectator to anger in any degree * . Covetoufness , cruelty , treachery , and other vicious paffions , are fo far from raifing any emotion fimilar to themselves , to incite a spectator to imitation , that they have an oppofite effect ...
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Common terms and phrases
action Æneid againſt agreeable alfo alſo anger appears arts beauty becauſe betwixt Cæfar cafe caufe cauſe circumſtances compariſon confideration confidered connection contraft courſe criticiſm defcribing defire deſcription diftrefs diſagreeable diſcover diſtinct diſtinguiſhed diſtreſs effect emotion raiſed emotions and paffions exerciſe exiſtence faid fame feeling fenfe fenfible fhall fight fimilar fingle fingular fion firſt focial fome fometimes foon ftill fubject fublime fucceffion fuch fufficient grandeur gratification happineſs hath himſelf Iago ideal prefence ideas impreffion inftances intereſting itſelf ject lefs leſs meaſure ment mind moſt motion mufic muſt myſelf nature neceffary obfervation object occafion oppofite Othello paffing painful emotion paſ paſt perceive perceptions perfon pity pleaſant emotion pleaſure preſent produce produceth puniſh purpoſes qualities reaſon reflection reliſh remarkable reſemblance ſcarce ſelfiſh ſenſe ſeparate Shakeſpear ſhall ſhould ſmall ſome ſpectator ſtill ſtrong ſuch ſurpriſe taſte thefe theſe thing thoſe tion uſe variety