Elements of Criticism, Volume 1Johnson Reprint Corporation, 1967 - Criticism |
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Page 152
... Similar to the emotion raised by mixed founds , is the emotion that an object of fight raises by means of its feveral qualities . A tree , for example , with its qualities of colour , figure , fize , & c . is perceived to be one ob ...
... Similar to the emotion raised by mixed founds , is the emotion that an object of fight raises by means of its feveral qualities . A tree , for example , with its qualities of colour , figure , fize , & c . is perceived to be one ob ...
Page 156
... similar in a high degree as falling in eafily and fweetly with the fame tone of mind , are in conjunction extremely pleasant . And this multiplied effect is felt from objects even of different fenses ; as where a landscape is conjoined ...
... similar in a high degree as falling in eafily and fweetly with the fame tone of mind , are in conjunction extremely pleasant . And this multiplied effect is felt from objects even of different fenses ; as where a landscape is conjoined ...
Page 166
... , the intimate connection of sense and found rejects diffimilar emotions , those espe- cially that are oppofite . Similar emotions produced produced by the sense and found go natu- rally into 166 EMOTIONS AND PASSIONS . Ch . II .
... , the intimate connection of sense and found rejects diffimilar emotions , those espe- cially that are oppofite . Similar emotions produced produced by the sense and found go natu- rally into 166 EMOTIONS AND PASSIONS . Ch . II .
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Common terms and phrases
action Æneid againſt agreeable alfo alſo anger appears arts beauty becauſe betwixt Cæfar cafe caufe cauſe circumſtances compariſon confideration confidered connection contraft courſe criticiſm defcribing defire deſcription diftrefs diſagreeable diſcover diſtinct diſtinguiſhed diſtreſs effect emotion raiſed emotions and paffions exerciſe exiſtence faid fame feeling fenfe fenfible fhall fight fimilar fingle fingular fion firſt focial fome fometimes foon ftill fubject fublime fucceffion fuch fufficient grandeur gratification happineſs hath himſelf Iago ideal prefence ideas impreffion inftances intereſting itſelf ject lefs leſs meaſure ment mind moſt motion mufic muſt myſelf nature neceffary obfervation object occafion oppofite Othello paffing painful emotion paſ paſt perceive perceptions perfon pity pleaſant emotion pleaſure preſent produce produceth puniſh purpoſes qualities reaſon reflection reliſh remarkable reſemblance ſcarce ſelfiſh ſenſe ſeparate Shakeſpear ſhall ſhould ſmall ſome ſpectator ſtill ſtrong ſuch ſurpriſe taſte thefe theſe thing thoſe tion uſe variety