Elements of Criticism: Volume I [-II].A. Millar, London; and A. Kincaid & J. Bell, Edinburgh., 1765 - Criticism |
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Page 2
... resemble the former , being like them produced without any fenfible organic im- preffion . Their mixt nature and middle place between organic and intellectual pleasures , quali- fy them to affociate with both beauty heightens all the ...
... resemble the former , being like them produced without any fenfible organic im- preffion . Their mixt nature and middle place between organic and intellectual pleasures , quali- fy them to affociate with both beauty heightens all the ...
Page 118
... resemblance to each other ; and yet fo intimately connected are their causes , as to force them into a fort of complex emotion , partly pleasant partly painful . This clearly explains fome expreffions common in poetry , afweet diftress ...
... resemblance to each other ; and yet fo intimately connected are their causes , as to force them into a fort of complex emotion , partly pleasant partly painful . This clearly explains fome expreffions common in poetry , afweet diftress ...
Page 119
... resemblance of the emotions and partly from the connection of their caufes : whence it fol- lows , that the effect must be the greatest , where the causes are intimately connected and the emo- tions perfectly fimilar . The other ...
... resemblance of the emotions and partly from the connection of their caufes : whence it fol- lows , that the effect must be the greatest , where the causes are intimately connected and the emo- tions perfectly fimilar . The other ...
Page 120
... resemblance between the emotions , and in- versely in proportion to the degree of connection between the causes : to feel this pleasure in per- fection , the refemblance cannot be too ftrong , nor the connection too flight . The former ...
... resemblance between the emotions , and in- versely in proportion to the degree of connection between the causes : to feel this pleasure in per- fection , the refemblance cannot be too ftrong , nor the connection too flight . The former ...
Page 168
... resemble them . A found in a low key , brings down the mind ; fuch a found in a full tone , hath a certain folemnity , which it communicates to the feeling produced by it . A found in a high key , chears the mind by raising it : fuch a ...
... resemble them . A found in a low key , brings down the mind ; fuch a found in a full tone , hath a certain folemnity , which it communicates to the feeling produced by it . A found in a high key , chears the mind by raising it : fuch a ...
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Common terms and phrases
action againſt agreeable alfo alſo appears arifing arts beauty becauſe Cæfar cafe cauſe chap circumftance colour connection courfe courſe defcribing defire degree difagreeable difcover diftrefs dignity diſtinguiſh effect elevation emotion raiſed eſteem expreffion faid fame kind fcarce feeling feems fenfe fenfible fentiment fhall fhould fight fimilar final caufe fingle fingular fion firft firſt fmall fo complex focial fome fometimes foon fpecies fpectator ftill ftrong fubject fublime fucceffion fuch fufficient furpriſe fwell grandeur gratification happineſs hath himſelf Hudibras ideal prefence ideas impreffion inftances interefting itſelf ject lefs meaſure mind moft moſt motion mufic muft muſt nature neceffary novelty obfervation object occafion oppofite Othello paffage paffing paffion pain perceive perceptions perfon pleaſant pleaſure prefent produce produceth propenfity puniſhment purpoſe qualities raife reafon refemblance reflection refpect reliſh ridicule rifible ſelfiſh Shakeſpear ſtill tafte taſte thefe theſe thing thofe thoſe tion uſeful variety
Popular passages
Page 272 - O, who can hold a fire in his hand, By thinking on the frosty Caucasus? Or cloy the hungry edge of appetite, By bare imagination of a feast?
Page 496 - Grief fills the room up of my absent child, Lies in his bed, walks up and down with me, Puts on his pretty looks, repeats his words, Remembers me of all his gracious parts, Stuffs out his vacant garments with his form; Then, have I reason to be fond of grief ? Fare you well: had you such a loss as I, I could give better comfort than you do.
Page 146 - Caesar carelessly but nod on him. He had a fever when he was in Spain, And when the fit was on him, I did mark How he did shake...
Page 66 - If you have tears, prepare to shed them now. You all do know this mantle: I remember The first time ever Caesar put it on ; 'Twas on a summer's evening, in his tent; That day he overcame the Nervii : — Look ! in this place, ran Cassius...
Page 269 - But, I remember, when the fight was done, When I was dry with rage, and extreme toil, Breathless and faint, leaning upon my sword, Came there a certain lord, neat, trimly...
Page 492 - Can honour set to a leg? No. Or an arm? No. Or take away the grief of a wound ? No. Honour hath no skill in surgery then ? No. What is honour? A word. What is in that word, honour? What is that honour? Air. A trim reckoning ! — Who hath it? He that died o
Page 377 - Hampton takes its name. Here Britain's statesmen oft the fall foredoom Of foreign tyrants and of nymphs at home; Here thou, great Anna! whom three realms obey, Dost sometimes counsel take— and sometimes tea. Hither the heroes and the nymphs resort, To taste awhile the pleasures of a court; In various talk th...
Page 146 - We both have fed as well, and we can both Endure the winter's cold as well as he...
Page 126 - Out upon her ! Thou torturest me, Tubal. It was my turquoise ; I had it of Leah, when I was a bachelor. I would not have given it for a wilderness of monkeys.
Page 66 - O, now you weep; and, I perceive, you feel The dint of pity : these are gracious drops. Kind souls, what ! weep you, when you but behold Our Caesar's vesture wounded ? Look you here, Here is himself, marr'd, as you see, with traitors.