Ideology and Utopia in the Poetry of William BlakeScholars have often drawn attention to William Blake's unusual sensitivity to his social context. In this book, Nicholas Williams situates Blake's thought historically by showing how through the decades of a long and productive career, Blake consistently responded to the ideas, writing, and art of contemporaries. Williams presents detailed readings of several of Blake's major poems alongside Rousseau's Emile, Wollstonecraft's Vindication of the Rights of Women, Paine's Rights of Man, Burke's Reflections of the Revolution in France, and Robert Owen's Utopian experiments. In doing so, he offers revealing new insights into key Blake texts and draws attention to their inclusion of notions of social determinism, theories of ideology-critique and utopian traditions. Williams argues that if we are truly to understand ideology as it relates to Blake, we must understand the practical situation in which the ideological Blake found himself. His study is a revealing commentary on the work of one of our most challenging poets. |
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Nicholas M. Williams. IDEOLOGY AND UTOPIA IN THE POETRY OF WILLIAM BLAKE NICHOLAS M. WILLIAMS unusual sensitivity to his social context . In this book. Front Cover.
Nicholas M. Williams. IDEOLOGY AND UTOPIA IN THE POETRY OF WILLIAM BLAKE NICHOLAS M. WILLIAMS unusual sensitivity to his social context . In this book. Front Cover.
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Contents
The ideology of instruction in Emile and Songs | 32 |
The discourse of womens liberation in Vindication | 71 |
Edmund Burke and models of history in America | 98 |
The utopian moment in Rights of Man and Milton | 141 |
The utopian city and the public sphere in Robert | 170 |
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Common terms and phrases
actual Albion already America Angel appears begins Blake's Burke Burke's called chapter claim communities complete concept consciousness context continuity course crisis critics critique cultural Daughters discussion distinction dominant Earth effect established Eternity Europe existence Experience express Eyes fallen female figure final formulation human idea ideology imagine important indicate individual Innocence Jerusalem language limitations London Marx Marxism means mental merely Milton narrative nature never notion origin particular passage past perhaps period perspective plate poem poetry political position prejudice present production progress prophecy prophetic question radical reader reading reference Reflections relation remains represents reproduction revolutionary Rights Rousseau seems sense situation social society Songs sphere stand structure suggests theory thinking thought understand University Press utopian vision writing York