Seniors on Stage: The Impact of Applied Theatre Techniques on the Elderly |
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Page 112
... improvisational theatre . IMPROVISATIONAL THEATRE TECHNIQUE The focus of this Renaissance theatre technique is best described in Invitation to the Theatre ( Kernodle and Kernodle , 1978 ) : The most popular acting companies of the ...
... improvisational theatre . IMPROVISATIONAL THEATRE TECHNIQUE The focus of this Renaissance theatre technique is best described in Invitation to the Theatre ( Kernodle and Kernodle , 1978 ) : The most popular acting companies of the ...
Page 144
... improvisational scenework . IMPROVISATIONAL SCENEWORK AS A MODE FOR PLAYWRITING Up until this point , the seniors had experienced only that improvisational scenework that contained the Who , What , and Where information . A more ...
... improvisational scenework . IMPROVISATIONAL SCENEWORK AS A MODE FOR PLAYWRITING Up until this point , the seniors had experienced only that improvisational scenework that contained the Who , What , and Where information . A more ...
Page 199
... improvisational , as mode for playwriting , 144- 46 scientific inventors , age and creativity , 54 scriptwriting , original , 143-44 self , 14 , 22 ; focusing concern , 22 ; improved sense of , 14 self - actualized individual , 49 self ...
... improvisational , as mode for playwriting , 144- 46 scientific inventors , age and creativity , 54 scriptwriting , original , 143-44 self , 14 , 22 ; focusing concern , 22 ; improved sense of , 14 self - actualized individual , 49 self ...
Contents
INTRODUCTION | 1 |
PART | 14 |
THEORETICAL AND CONCEPTUAL OVERVIEW | 20 |
Copyright | |
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activity theory aesthetic environment Applied Theatre Programs APPLIED THEATRE TECHNIQUE assessment audience become canal boats Character Lifespan child communication control group creative dramatics dance designated disengagement DRAMA AREA drama group drama leader drama program elderly participants Emma EMMA'S emotion experience experimental Ezra Jack Keats Family members feel five project sites five sites focus Follow-Up Discussions found sound Georgetown Golden Pond Group Poem Guthrie Theatre handicapped hearing impaired impaired participant improvisational theatre interaction intergenerational involved Journal of Gerontology lives loneliness Lysistrata MAID Millie mirror exercises mother NARRATOR older individuals Oral History Theatre painting Participants are asked participatory theatre physical play Players are instructed PRESIDENT production Psychology Pumpkinseed QUEEN LIZ rhythm role satisfaction scarves scene script senior adults share society Sound of Peter space stage story Storybook Theatre storyteller tables Talking Book Series visual arts visually impaired Wendy Kesselman York